Welcome to KISS KISS. We are a London-based magazine exploring romance in all its complexity, not the fairy tale, but the messy, lived experience. KISS KISS traces the many ways intimacy shapes our lives, challenging how we think about romance, identity, and connection. Stylish, intelligent, and unafraid to look at love with open eyes. KISS KISS moves through four movements: The Rush, The Routine, The Reckoning, and The Repair. From first-date nerves and situationships to secure intimacy, toxic patterns, and heartbreak, we trace the ways love shapes our lives today. Inside, you will find personal stories, cultural observations, and reflections on identity and desire. We explore the thrill of attraction in Scent or a Scam? The Truth About “Pheromone Perfume” (p.12), the comfort of routine in Garlic Bread is Better Than Sex (p.32), the challenges of obsession in Are We Dating… or Just Replaying? (p.40), and the subtle art of reinvention in How Dementia Changes Love (p.60). Fashion, culture, emotion, and love intersect here, reflecting how a generation fluent in the modern digital world experiences romance. This magazine doesn’t romanticise love. It documents it unapologetically, honestly, and with style. Because even in a world of fleeting moments, love is still urgent, still compelling, and still worth noticing. Kiss Kiss invites you on this journey. We hope you enjoy this first issue as much as we do.
Love is in the cards
Aleysha, 21, won't commit unless the cards say yes. In a dating culture defined by uncertainty, oracle readings have become a method of decision-making for her...
Written by Lia Keeble Oterto
Sacha lays out three cards: Reconsider. No. Unlikely. The answer is immediate. "No."
There is no hesitation in the reading, no ambiguity in the outcome. The cards do not explain his behaviour, nor do they soften it. There is no condemnation of his character, just clarity, the kind Aleysha has been seeking for years. For the first time, the flame is named not as fate, but as distraction.
The room is already prepared. Candles flicker against drawn curtains, the deck placed deliberately at the centre of the bed. Ambient music plays softly in the background, instrumental and atmospheric, suggesting something significant is about to be revealed. A glass of wine sits within reach. The process unfolds with familiarity: the shuffling, the pauses, the exchange of glances. This is not a spontaneous act of belief but a ritual sustained over time. Weekly readings have created rhythm, a shared language refined through repetition and built over years of friendship. There is comfort in knowing how it begins, how it unfolds, how it ends. Whatever the cards say, the ritual remains the same.
Aleysha Chambers, 21, is a business and finance student at Regent's University, living in West London and working part-time alongside her degree. She has been officially single her entire life. She says this plainly, without irony or apology, as though it is simply a technical detail rather than a personal failure. The word single, however, does not account for the amount of love she has experienced.
Her first serious attachment began at fourteen, an on-and-off relationship that never quite aligned. “It was always intense,” she says. “We were never on the same page at the same time." Since then, there have been others: emotionally intense encounters that arrive suddenly, demand attention and disappear before anything stable can form.
Aleysha is business-minded, academically focused and acutely aware of her time. She does not believe in wasting it, especially not on men who do not align with her values. "I date to marry," she says. "If it's not going somewhere, I don't see the point.” This is where the cards come in.
She does not pursue romantic connections without their approval, nor will she reply to a message, agree to a date or emotionally invest unless the cards give her permission to proceed. “Men have let me down,” she says. "The cards never do." For Aleysha, they act as a filter, a way of eliminating the ones that do not meet her standards before time is wasted. For Aleysha, oracle cards are less about prediction and more about approval. Unlike tarot, they follow no fixed structure or universal meaning; each deck operates according to its own internal logic, offering phrases rather than prophecies. A reading begins with a question, followed by a small number of cards, usually three, pulled intuitively and interpreted collaboratively. Rather than determining the future, they reflect emotional readiness, alignment and timing.