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The Edit Q4/26

Ninety-nine tools, in order, then the full catalogue behind them. The Edit is AB.STUDIO’s quarterly magazine for music makers: 111 pages of professional software and hardware, considered selections, production ideas and conversations about the craft. Explore The Index, discover Supply’s 2,499 titles from 292 makers, and find The Drop at the back of the book. Q4/26 | November 2026. Toronto · New York · Miami.

Published: Nov 7, 2026
Pages: 111
Language: English

More in this magazine

Cover
Page 2M A I N F E A T U R E 0 1 O F 9 9 WAVE ALCHEMY TRIAZ
CONTENTSCONTENTS Curated and ranked, then the department they are drawn from.
READINGA LETTER Q4/26
HOW TO SHOPHOW TO SHOP What every label, rank and price on these pages means.
THE READERH O W I T W O R K S R E A D T H I S O N C E SHOPPABLE IN THE PAGE
THE INDEXS E C T I O N 0 1 THE INDEX
THE INDEXHARDWARE THE TEN
THE INDEXINSTRUMENTS 10 IN THE INDEX
THE INDEXINSTRUMENTS INSTRUMENTS
THE INDEXMIXING TOP 10
THE INDEXMIXING MIXING
THE INDEXPITCH TIME
THE INDEXDAWS HOSTS
THE INDEXDJ NOTATION
THE INDEXSPACE EFFECTS
THE INDEXBUNDLES BUNDLES
THE INDEXPOST VIDEO
THE INDEXFAMILIES COMPARE A FAMILY
THE INDEXIN ONE PAGE 01
THE EDIT001 T H E E D I T
THE EDIT001 DIGIDESIGN MBOX
THE EDIT001 DIGIDESIGN MBOX
THE EDIT001 DIGIDESIGN MBOX
SUPPLYS E C T I O N 0 2 SUPPLY
SUPPLYHARDWARE HARDWARE
SUPPLYSYNTHESIZERS S U P P L Y D E P A R T M E N T 0 2 O F 1 1
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYSYNTHESIZERS SYNTHESIZERS
SUPPLYEFFECTS S U P P L Y D E P A R T M E N T 0 3 O F 1 1
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYEFFECTS EFFECTS
SUPPLYCOMPRESSION S U P P L Y D E P A R T M E N T 0 4 O F 1 1
SUPPLYCOMPRESSION COMPRESSION
SUPPLYCOMPRESSION COMPRESSION
SUPPLYCOMPRESSION COMPRESSION
SUPPLYCOMPRESSION COMPRESSION
SUPPLYCOMPRESSION COMPRESSION
SUPPLYCOMPRESSION COMPRESSION
SUPPLYCOMPRESSION COMPRESSION
READINGFIELD NOTES F I E L D N O T E S
SUPPLYEQ S U P P L Y D E P A R T M E N T 0 5 O F 1 1
SUPPLYEQ EQ
SUPPLYEQ EQ
SUPPLYEQ EQ
SUPPLYEQ EQ
SUPPLYEQ EQ
SUPPLYEQ EQ
SUPPLYEQ EQ
SUPPLYSATURATION S U P P L Y D E P A R T M E N T 0 6 O F 1 1
SUPPLYSATURATION SATURATION
SUPPLYSATURATION SATURATION
SUPPLYSATURATION SATURATION
SUPPLYSATURATION SATURATION
SUPPLYSATURATION SATURATION
SUPPLYSATURATION SATURATION
SUPPLYREVERB AND DELAY S U P P L Y D E P A R T M E N T 0 7 O F 1 1
SUPPLYREVERB AND DELAY REVERB AND DELAY
SUPPLYREVERB AND DELAY REVERB AND DELAY
SUPPLYREVERB AND DELAY REVERB AND DELAY
SUPPLYREVERB AND DELAY REVERB AND DELAY
SUPPLYREVERB AND DELAY REVERB AND DELAY
SUPPLYREVERB AND DELAY REVERB AND DELAY
SUPPLYSAMPLE LIBRARIES S U P P L Y D E P A R T M E N T 0 8 O F 1 1
SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
SUPPLYMASTERING S U P P L Y D E P A R T M E N T 0 9 O F 1 1
SUPPLYMASTERING MASTERING
SUPPLYMASTERING MASTERING
SUPPLYMASTERING MASTERING
SUPPLYMASTERING MASTERING
SUPPLYMASTERING MASTERING
SUPPLYVOCAL PRODUCTION S U P P L Y D E P A R T M E N T 1 0 O F 1 1
SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
READINGFIELD NOTES F I E L D N O T E S
SUPPLYSTUDIO UTILITIES S U P P L Y D E P A R T M E N T 1 1 O F 1 1
SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
READINGFIELD NOTES F I E L D N O T E S
DIRECTORYA Z DIRECTORY
READINGSIX CHAINS SIX CHAINS
READINGSIX CHAINS SIX CHAINS
IN CONVERSATION01 OF 02 I N C O N V E R S A T I O N
IN CONVERSATIONW H A T D I D Y O U B U Y L A S T ? A de-esser, which sounds boring, and it is, and it is also the thing I reach for on every vocal now. Boring is underrated.
READINGTHE LAST WORD Q4/26
THE DROPT H E D R O P O N E P I E C E , A T T H E B A C K O F T H E B O O K
Page 111T H E E D I T Q 4 / 2 6

Text of this page

THE INDEX

IN ONE PAGE

THE 99, IN ONE PAGE

The whole ranking, with the page each title sits on. Feature spots are marked. Tear it out if you must; the reader has it too.

Feature spots at every slot ending in 1.

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