Ninety-nine tools, in order, then the full catalogue behind them. The Edit is AB.STUDIO’s quarterly magazine for music makers: 111 pages of professional software and hardware, considered selections, production ideas and conversations about the craft. Explore The Index, discover Supply’s 2,499 titles from 292 makers, and find The Drop at the back of the book. Q4/26 | November 2026. Toronto · New York · Miami.
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- CONTENTSCONTENTS Curated and ranked, then the department they are drawn from.
- READINGA LETTER Q4/26
- HOW TO SHOPHOW TO SHOP What every label, rank and price on these pages means.
- THE READERH O W I T W O R K S R E A D T H I S O N C E SHOPPABLE IN THE PAGE
- THE INDEXS E C T I O N 0 1 THE INDEX
- THE INDEXHARDWARE THE TEN
- THE INDEXINSTRUMENTS 10 IN THE INDEX
- THE INDEXINSTRUMENTS INSTRUMENTS
- THE INDEXMIXING TOP 10
- THE INDEXMIXING MIXING
- THE INDEXPITCH TIME
- THE INDEXDAWS HOSTS
- THE INDEXDJ NOTATION
- THE INDEXSPACE EFFECTS
- THE INDEXBUNDLES BUNDLES
- THE INDEXPOST VIDEO
- THE INDEXFAMILIES COMPARE A FAMILY
- THE INDEXIN ONE PAGE 01
- THE EDIT001 T H E E D I T
- THE EDIT001 DIGIDESIGN MBOX
- THE EDIT001 DIGIDESIGN MBOX
- THE EDIT001 DIGIDESIGN MBOX
- SUPPLYS E C T I O N 0 2 SUPPLY
- SUPPLYHARDWARE HARDWARE
- SUPPLYSYNTHESIZERS S U P P L Y D E P A R T M E N T 0 2 O F 1 1
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYEFFECTS S U P P L Y D E P A R T M E N T 0 3 O F 1 1
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
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- SUPPLYCOMPRESSION S U P P L Y D E P A R T M E N T 0 4 O F 1 1
- SUPPLYCOMPRESSION COMPRESSION
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- SUPPLYCOMPRESSION COMPRESSION
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- SUPPLYEQ S U P P L Y D E P A R T M E N T 0 5 O F 1 1
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- SUPPLYMASTERING S U P P L Y D E P A R T M E N T 0 9 O F 1 1
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- DIRECTORYA Z DIRECTORY
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- IN CONVERSATION01 OF 02 I N C O N V E R S A T I O N
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- READINGTHE LAST WORD Q4/26
- THE DROPT H E D R O P O N E P I E C E , A T T H E B A C K O F T H E B O O K
- Page 111T H E E D I T Q 4 / 2 6
Text of this page
READING
FIELD NOTES
F I E L D N O T E S
LICENCES, PLAINLY
Perpetual, subscription, rent-to-own. What each one actually buys.
B Y NO. 03 OF 03
Perpetual is yours. Updates within a major version are usually included; the next major version is usually a paid upgrade, priced for existing holders.
Subscription is access. It stops when payment does, which is fine for a title you use every week and expensive for one you use twice a year.
Rent-to-own ends in a perpetual licence after a fixed number of payments. It costs more in total, and it is the right answer for a tool you need today.
COST
YEARS
F I G . 0 3 rent-to-own subscription perpetual
F R O M S T U D I O U T I L I T I E S
T H E D E P A R T M E N T Y O U J U S T R E A D
- AVID
- Avid Media Composer
- BORIS FX
- Boris FX Vegas Pro
- C$770
- AB.STUDIO
- C$314
- INSTANT LICENCE DELIVERY
- HARDWARE SHIPS WORLDWIDE
- SERATO
- Serato Studio
- C$255
- FENDER (PRESONUS)
- Fender Studio Pro 8
- C$285
- Q4/26