Ninety-nine tools, in order, then the full catalogue behind them. The Edit is AB.STUDIO’s quarterly magazine for music makers: 111 pages of professional software and hardware, considered selections, production ideas and conversations about the craft. Explore The Index, discover Supply’s 2,499 titles from 292 makers, and find The Drop at the back of the book. Q4/26 | November 2026. Toronto · New York · Miami.
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- Page 2M A I N F E A T U R E 0 1 O F 9 9 WAVE ALCHEMY TRIAZ
- CONTENTSCONTENTS Curated and ranked, then the department they are drawn from.
- READINGA LETTER Q4/26
- HOW TO SHOPHOW TO SHOP What every label, rank and price on these pages means.
- THE READERH O W I T W O R K S R E A D T H I S O N C E SHOPPABLE IN THE PAGE
- THE INDEXS E C T I O N 0 1 THE INDEX
- THE INDEXHARDWARE THE TEN
- THE INDEXINSTRUMENTS 10 IN THE INDEX
- THE INDEXINSTRUMENTS INSTRUMENTS
- THE INDEXMIXING TOP 10
- THE INDEXMIXING MIXING
- THE INDEXPITCH TIME
- THE INDEXDAWS HOSTS
- THE INDEXDJ NOTATION
- THE INDEXSPACE EFFECTS
- THE INDEXBUNDLES BUNDLES
- THE INDEXPOST VIDEO
- THE INDEXFAMILIES COMPARE A FAMILY
- THE INDEXIN ONE PAGE 01
- THE EDIT001 T H E E D I T
- THE EDIT001 DIGIDESIGN MBOX
- THE EDIT001 DIGIDESIGN MBOX
- THE EDIT001 DIGIDESIGN MBOX
- SUPPLYS E C T I O N 0 2 SUPPLY
- SUPPLYHARDWARE HARDWARE
- SUPPLYSYNTHESIZERS S U P P L Y D E P A R T M E N T 0 2 O F 1 1
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYSYNTHESIZERS SYNTHESIZERS
- SUPPLYEFFECTS S U P P L Y D E P A R T M E N T 0 3 O F 1 1
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYEFFECTS EFFECTS
- SUPPLYCOMPRESSION S U P P L Y D E P A R T M E N T 0 4 O F 1 1
- SUPPLYCOMPRESSION COMPRESSION
- SUPPLYCOMPRESSION COMPRESSION
- SUPPLYCOMPRESSION COMPRESSION
- SUPPLYCOMPRESSION COMPRESSION
- SUPPLYCOMPRESSION COMPRESSION
- SUPPLYCOMPRESSION COMPRESSION
- SUPPLYCOMPRESSION COMPRESSION
- READINGFIELD NOTES F I E L D N O T E S
- SUPPLYEQ S U P P L Y D E P A R T M E N T 0 5 O F 1 1
- SUPPLYEQ EQ
- SUPPLYEQ EQ
- SUPPLYEQ EQ
- SUPPLYEQ EQ
- SUPPLYEQ EQ
- SUPPLYEQ EQ
- SUPPLYEQ EQ
- SUPPLYSATURATION S U P P L Y D E P A R T M E N T 0 6 O F 1 1
- SUPPLYSATURATION SATURATION
- SUPPLYSATURATION SATURATION
- SUPPLYSATURATION SATURATION
- SUPPLYSATURATION SATURATION
- SUPPLYSATURATION SATURATION
- SUPPLYSATURATION SATURATION
- SUPPLYREVERB AND DELAY S U P P L Y D E P A R T M E N T 0 7 O F 1 1
- SUPPLYREVERB AND DELAY REVERB AND DELAY
- SUPPLYREVERB AND DELAY REVERB AND DELAY
- SUPPLYREVERB AND DELAY REVERB AND DELAY
- SUPPLYREVERB AND DELAY REVERB AND DELAY
- SUPPLYREVERB AND DELAY REVERB AND DELAY
- SUPPLYREVERB AND DELAY REVERB AND DELAY
- SUPPLYSAMPLE LIBRARIES S U P P L Y D E P A R T M E N T 0 8 O F 1 1
- SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
- SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
- SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
- SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
- SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
- SUPPLYSAMPLE LIBRARIES SAMPLE LIBRARIES
- SUPPLYMASTERING S U P P L Y D E P A R T M E N T 0 9 O F 1 1
- SUPPLYMASTERING MASTERING
- SUPPLYMASTERING MASTERING
- SUPPLYMASTERING MASTERING
- SUPPLYMASTERING MASTERING
- SUPPLYMASTERING MASTERING
- SUPPLYVOCAL PRODUCTION S U P P L Y D E P A R T M E N T 1 0 O F 1 1
- SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
- SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
- SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
- SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
- SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
- SUPPLYVOCAL PRODUCTION VOCAL PRODUCTION
- READINGFIELD NOTES F I E L D N O T E S
- SUPPLYSTUDIO UTILITIES S U P P L Y D E P A R T M E N T 1 1 O F 1 1
- SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
- SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
- SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
- SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
- SUPPLYSTUDIO UTILITIES STUDIO UTILITIES
- READINGFIELD NOTES F I E L D N O T E S
- DIRECTORYA Z DIRECTORY
- READINGSIX CHAINS SIX CHAINS
- READINGSIX CHAINS SIX CHAINS
- IN CONVERSATION01 OF 02 I N C O N V E R S A T I O N
- IN CONVERSATIONW H A T D I D Y O U B U Y L A S T ? A de-esser, which sounds boring, and it is, and it is also the thing I reach for on every vocal now. Boring is underrated.
- READINGTHE LAST WORD Q4/26
- THE DROPT H E D R O P O N E P I E C E , A T T H E B A C K O F T H E B O O K
- Page 111T H E E D I T Q 4 / 2 6
Text of this page
IN CONVERSATION
01 OF 02
I N C O N V E R S A T I O N
NAME TO COME
M I X E N G I N E E R · T O R O N T O One maker, one craft, every edition: producers, mixers, live and mastering engineers, artists, photographers who edit, creative directors. The questions are the same. The answers are not.
I N T E R V I E W B Y P H O T O G R A P H S B Y P H O T O G R A P H
T H E M A K E R , I N T H E R O O M
W H E R E D O E S A S E S S I O N S T A R T F O R Y O U ?
The template, and then I delete half of it. Every session I keep less. The things that survive are the things in this book.
Tell the truth. Monitors you trust, at a level you can hold for eight hours. Everything else is a plug-in and the argument is over.
H A R D W A R E O R S O F T W A R E , I F Y O U H A D T O P I C K ?
The interface and the monitors are hardware and everything else is a plug-in, and that has been true for five years. What matters is whether the tool does one thing well.
W H A T I S T H E C H A I N Y O U R E A C H F O R W I T H O U T T H I N K I N G ?
Correction, then a fast compressor, then a slow one, then the EQ that fixes what the compressors revealed. The reverb is a send. The order is the whole trick.
W H A T D O Y O U R E F U S E T O B U Y ?
Anything that promises a finished mix. Anything with more than one page of presets I would never use. Subscriptions for tools I use twice a year.
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