St Mary the Blessed Virgin Parish Magazine 2026
Purists, Populists, and the Rise of Anna Lapwood: Rethinking the Organ World's Old Debate by Dr. Christopher J. Parker a Over the last few years, a young musician has come to the fore that has reopened a familiar tension within the organ world tension as old as the instrument's own history. That musician is an organist and choir director called Anna Lapwood. She has taken the organ world 'by storm' through social media, especially performances of music from the film Interstellar. Lapwood was appointed a Member of the Order of the British Empire (MBE) in the 2024 New Year Honours for services to music at the tender age of 29. This, in itself, was regarded by some as controversial. Many fine musicians, such as the late Martin.
How, didn't receive his MBE for a lifetime of service to music until he was 61, and the late Martin Neary wasn't appointed a Lieutenant of the Royal Victorian Order until he was 57.This year Anna Lapwood became a Fellow of the Royal School of Church Music (FRSCM).
This tension is the perennial clash between the purists and the populists, between those shaped by the classical tradition and those who champion accessibility and broader appeal. In truth, this divide is not only philosophical but perhaps also partly generational, shaped by differing expectations of what the organ should be and whom it should reach. The purists take their art with deep seriousness. They can feel affronted when a younger musician draws large audiences by performing film themes or crossover arrangements - music they regard as beneath the dignity of the instrument they love. The populists, meanwhile, see an organ world dominated by a small, earnest clique devoted to Bach, Buxtehude, and perhaps the occasional Franck, Widor, or Messiaen. They argue that such narrowness alienates the public and stifles the instrument's potential.
Both perspectives contain truth. Most professional organ recitals do attract a niche audience, often composed of those who cherish the traditional canon and wish to preserve it. Yet it is equally true that many organs especially those in churches and cathedrals - have been