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GAGArevista

By Vibs Vargas

Buuu

Go to stand
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https://covver.com/magazine/vibsvargas-v6g4/gagarevista-DUvoG3jNg3AYt9YobtDg
Published
Jun 5, 2026
Pages
36

More in this magazine

  • CoverMOTHER MONSTER by vibs
  • Page 22008 THE FAME
  • Page 3FASHION! FASHION! LADY
  • Page 4F A S
  • BUDDIESGaga had a raw fashion edge from the get-go. In the music video for her first single, "Just Dance," we got our first glimpse at just how effectively Gaga uses costuming. For one look, she wore a vintage red Mugler jacket, complete with gigantic vintage Versace shield shades. In another, she wore a disco ball bra that she made herself. The statement outfits felt both fresh and creative, but they were only the beginning. AGAGAGAGAGAGAGAGAGAGA
  • THE MERLDRAMA
  • Frame ne ernandezAWAKU VIDEO
  • Page 8By 2011, Gaga collaborated with fashion designer and creative director Nicola Formichetti. You might recognize their work from the famous "meat-dress" seen in the grammy awards. "Everything with Gaga always, especially in fashion, comes from the music. It's always important that we embody what she wants to do with her music," Formichetti tells Variety of their creative partnership.
  • Page 92011
  • Gaga &HUSSEIN EHALAYAN
  • THE BUBBLE A J11DRESS 2009 Christian Hedman
  • Page 12
  • in live for the ABBLAUSLady Gaga released the music video for her track 'Applause' from her fourth studio album 'ARTPOP' on August 19, 2013 directed and shot by Inez & Vinoodh. From hanging from the ceiling to throwing and catching knives and walking a down a Galliano-inspired runway, Gaga's character shows no fear in this video!
  • GAGA X CLASSIC PAINTINGSMOTU E
  • Page 15BEFORE WE DID IT
  • Page 16HOTEL AMERICAN
  • Page 17Photographer Michael Avedon photographed Gaga back in July 2015 for the cover of Entertainment Weekly. She was dressed as The Countess - her character from American Horror Story. Gaga's glam was handled by her actual team which consists of makeup artist Sarah Nicole Tanno and hair stylist Frederic Aspiras. Costume designer and stylist was Lou Eyrich.
  • Page 1820 6
  • Page 19In 2016, Lady Gaga adopted a "grunge," stripped- back aesthetic to align with her fifth studio album, Joanne. This era marked a departure from her previous avant-garde pop styles, embracing a more "organic," rock-focused sound and personal image. Runway Appearance: She also leaned into a gothic/grunge look during the Marc Jacobs Fall 2016 fashion show.
  • Page 20VICTORIA'S
  • Page 21SECRET.
  • A STAR100000 000
  • Page 23OU 2018
  • Page 24The MET gala 2019
  • Page 25
  • Page 26CHOLPA
  • Page 27The pop star is a noted champion of smaller, independent artists— she has worked with many such as Vex Clothing, Laurel Dewitt, and Kaimin. For the Chromatica cover, she worked with her longtime stylists Nicola Formichetti and Marta del Rio to pull in pieces from three under-the-radar talents from all over the world. Below, meet the three special collaborators and their theatrical Chromatica creations.
  • harlequin2024
  • Page 29Lady Gaga has released her new album "Harlequin", a companion piece to the upcoming film "Joker: Folie à Deux".
  • Page 30
  • Page 312022 Olimpics
  • MAYHEMLVDY GAGA
  • Page 336 The fashion highlights a contrast between chaos (represented by red and black leather/latex) and vulnerability (white, softer fabrics). For example, during performances, white, feathered outfits were intentionally ripped or paired with red scar motifs, symbolizing personal struggle and theatrical resurrection.
  • MAYHEMLVDY GAGA
  • MOTHERMONSTER IS BACK
  • Page 36
Text of this page

By 2011, Gaga collaborated with fashion designer and creative director Nicola Formichetti. You might recognize their work from the famous "meat-dress" seen in the grammy awards.

"Everything with Gaga always, especially in fashion, comes from the music. It's always important that we embody what she wants to do with her music," Formichetti tells Variety of their creative partnership.

For the "Born This Way" era, Formichetti and Gaga wanted to create an aesthetic that was fearless and powerful. "It was about taking power, dressing to the extreme, and showing it was real, but half-fantasy," Formichetti says. "The album was about symbolism and iconography and taking ownership and changing the perspective of her."

BORN

THIS WAY