BUDDIESGaga had a raw fashion edge from the get-go. In the music video for her first single, "Just Dance," we got our first glimpse at just how effectively Gaga uses costuming. For one look, she wore a vintage red Mugler jacket, complete with gigantic vintage Versace shield shades. In another, she wore a disco ball bra that she made herself. The statement outfits felt both fresh and creative, but they were only the beginning. AGAGAGAGAGAGAGAGAGAGA
Page 8By 2011, Gaga collaborated with fashion designer and creative director Nicola Formichetti. You might recognize their work from the famous "meat-dress" seen in the grammy awards. "Everything with Gaga always, especially in fashion, comes from the music. It's always important that we embody what she wants to do with her music," Formichetti tells Variety of their creative partnership.
in live for the ABBLAUSLady Gaga released the music video for her track 'Applause' from her fourth studio album 'ARTPOP' on August 19, 2013 directed and shot by Inez & Vinoodh. From hanging from the ceiling to throwing and catching knives and walking a down a Galliano-inspired runway, Gaga's character shows no fear in this video!
Page 17Photographer Michael Avedon photographed Gaga back in July 2015 for the cover of Entertainment Weekly. She was dressed as The Countess - her character from American Horror Story. Gaga's glam was handled by her actual team which consists of makeup artist Sarah Nicole Tanno and hair stylist Frederic Aspiras. Costume designer and stylist was Lou Eyrich.
Page 19In 2016, Lady Gaga adopted a "grunge," stripped- back aesthetic to align with her fifth studio album, Joanne. This era marked a departure from her previous avant-garde pop styles, embracing a more "organic," rock-focused sound and personal image. Runway Appearance: She also leaned into a gothic/grunge look during the Marc Jacobs Fall 2016 fashion show.
Page 27The pop star is a noted champion of smaller, independent artists— she has worked with many such as Vex Clothing, Laurel Dewitt, and Kaimin. For the Chromatica cover, she worked with her longtime stylists Nicola Formichetti and Marta del Rio to pull in pieces from three under-the-radar talents from all over the world. Below, meet the three special collaborators and their theatrical Chromatica creations.
Page 336 The fashion highlights a contrast between chaos (represented by red and black leather/latex) and vulnerability (white, softer fabrics). For example, during performances, white, feathered outfits were intentionally ripped or paired with red scar motifs, symbolizing personal struggle and theatrical resurrection.