Canadian Music Hall of Fame Ceremony Presented by Music Canada. May 18th. Calgary, Alberta.
the last. Her first album arrived on the scene in 1972, like a bolt from the blue.
"In Tiens-toé ben, j'arrive!, I spoke joual and yelled. I told myself:
'I'll give it a try, but that may be the end of it.""
Still, the artist revealed herself.
Diane Dufresne became a voice - a phenomenonal stage presence! She's been called a diva (in the musical sense), but she's essentially modest and firmly believes that she has a lot more to do. While described as exuberant, she's mostly reserved and, above all, devoted to her fans. She's considered a provocateur, but she strives to go beyond her limits... because singing isn't enough for her. She uses her voice to express her emotions and display theatricality for her audience's benefit.
"Going onstage and meeting the public is a privilege. I create every show based on what the audience feels and sees - from the standpoint of their place in the room, rather than the stage and what I'm projecting. I switch perspectives. Maybe that's how I make that connection. I've never wanted a passive audience."
From Mon premier show to Magie Rose, from Olympia Hall in Paris to Place des Arts in Montreal, she moves from one project to the next in a metamorphic process that helps her deliver better surprises and - unwittingly! - throw off her critics.
"I was in a creative state of mind: open to anything, no matter what."
From a bird's-eye view, the 56,000 or so people dressed in pink who've come to the Olympic Stadium to worship their idol in Magie Rose show the full measure of the Dufresne effect. "I had to prepare myself for these emotions. I walked through the streets at night, with a stopwatch, for several months, to learn how to centre myself when going through the stadium. But when you get there and see the stadium awash with folks in pink, you tell yourself, 'Follow the crowd – they're the leaders."" And that's the incredible part of it, they're really in the lead!"
Diane Dufresne's songs reflect an era - the era of modern Quebec. She's totally at ease with her uninhibited rock and personifies the emancipated woman. Her immense artistic talent also flourishes through other art forms - songwriting and painting – which have made her an essential, "must see" element of Quebec's cultural scene.
"What really blew me away was the audience. I was criticized for my costumes, which were seen as crazy and extravagant, but the fans' attire was more eccentric than mine! That's how they responded to me. The audience has always been there. You give... and you get back."
Whatever she's doing – be it an intimate concert or the most grandiose performance - Diane Dufresne's onstage act is akin to walking a tightrope. Uncompromising. With an