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Summer Releases
SUMMER RELEASES: THE FIGHT FOR THE SONG OF THE SUMMER Written by Freya Kelly
As June comes to an end, and a ridiculous heatwave settles across the UK, the rise of summertime music brings an array of amazing new releases - creating a perfect soundtrack for life in the baking heat, and long, sunny afternoons with a speaker and a pint in a suntrap of a beer garden.
The beginning of June saw the return of noughties, gothic-rock band, 'Evanescence', with the release of their sixth studio album 'Sanctuary' (June 5th 2026). The 12-track record, described by lead singer Amy Lee as 'a quest for humanity', has been received well by critics, and masterfully allows the band to reform their angsty sound into a fresher and more electronic feel, appealing to a larger audience of the new broken scene and nostalgic emos willing to relive their teenage years. Despite the praise that the album has received from the harshest alternative music reviewers, many fans have found the band's genre shift rather controversial, and the new electronic elements - developed by producers Nick Raskulinecz, Zakk Cervini and Jordan Fish (of Bring Me The Horizon fame) - have been described as 'distasteful' and 'disingenuous' by long-term fans of the group.
During the same week, the charts were greeted by the fresh release of Malcolm Todd's new album, 'Do That Again!' The long-awaited sophomore album was teased from November 2025 by the newly famous singer, and has been praised by Rolling Stone as portraying a 'modern homespun permutation' of 1980s greats, that seemingly 'anyone can relate to. However, much like Evanescence, the greatness of Todd's new album has been questioned by fans, with many claiming that it lacks the lyrical depth and drive of his first, self-titled album from 2025. Yet, its status as Todd's biggest career milestone cannot be ignored, with the album debuting at number five on the US Billboard 200 chart, and number nineteen on the UK Official Albums Chart, catapulting the LA native's deep take on indie- bedroom pop to new heights of fame.
As the month progressed, pop fans were relieved to experience the new-found emotional insight found in Olivia Rodrigo's third studio album, 'you seem pretty sad for a girl so in love' On 12th of June, the record debuted at number one on every UK album chart, and became an instant internet phenomenon as the song 'honeybee' began to trend on Tik Tok merely hours after its release. Young audiences saw the shift of the previously teenage-angst-driven popstar away from the pop-punk genre, and happily welcomed her transition to a more soft and ballad-like take on adult emotions; many respected her excitement and 'awe' following her collaboration with the godfather of melancholy, Robert Smith, on the track 'What's Wrong With Me!
But the fight for song of the summer is not won