FEATURING ELIAH
WHAT TYPE OF SPECIALTY IN VOICE OVER WORK DO YOU LIKE TO FOCUS ON, OR DO YOU HAVE SEVERAL TYPES?
I've carved out a few spaces I really like to work in. And that's by design. In the event its slow in one genre, I can be working in another. But give me a mic and a story, and I'm in. I love character-driven work-video games, anima- tion, dubbing...anything that dives deep into emotion and nuance. But I also work in walla, commercial, promo, and anumé. Each genre sharpens a different skill: storytelling, timing, tone, or subtlety. I like to stay versatile, but at the core for me it's all about using voice to connect-whether it's a hero's monologue or a 15-second ad.
WHAT'S A TYPICAL DAY IN THE LIFE OF A VOICE OVER ACTOR?
A typical day starts with tea, water and a vocal routine that ranges from sinus rinses to vocal warm-ups that makes my neighbors question their life choices. Then it's emails, auditions, and bouncing between sessions. Sometimes I'm a soldier, sometimes a space wizard, sometimes the voice of a new toothpaste. In between, it's more water, pickups, file naming, NDA signing and praying my internet/power holds up. On slow days I keep it moving: marketing, training, or making sure I see some grass and smell some sky. It's unpredictable, creative, and wonderfully terrifying-and I wouldn't trade it for anything.
WHAT DO YOU RECOMMEND FOR ANYONE THAT IS INTERESTED IN VOICE OVER WORK?
Start with curiosity, not just a cool mic. Study acting, storytelling, and breath control. Voiceover is way more than sounding good. Listen to everything: ads, games, animation, audiobooks. Take classes, get coaching, and most of all record yourself A LOT. You'll cringe at first (we all do), but that's where the growth lives. And if you're serious, treat it like a craft, not a shortcut. You get out of it what you put into it. The work is real, but so is the joy.
IN YOUR OPINION, WHAT MAKES A GOOD VOICE OVER ACTOR?
A good VO actor isn't just someone who can imitate funny voices or read a script in one take, it's someone who can make you feel something with nothing but a mic and a breath. The best VO artists can shift from sub- tle to explosive in a heartbeat and make you believe every second of it. It's acting, pure and simple, just without the lights and makeup.
WHAT ARE YOUR PLANS FOR 2025? WHAT CAN WE EXPECT FROM YOU FOR 2025?
2025 is all about expansion for the roles I play, the worlds I help build, and the stories I get to tell. You'll hear me in some major game titles and new projects I can't talk about just yet. I'm all about learning and leaning into collabora- tion with creatives who are pushing boundaries. Expect to hear me with more range, more depth, and maybe a surprise or two! Let's just say...I'm not staying quiet any time soon.
PLEASE LIST YOUR WEBSITE AND HOW PEOPLE CAN REACH YOU?
For all booking inquiries, you can contact my agents directly-or head over to my website www.eliahmountjoy.com for demos, contact info, and more.
ANY LAST MESSAGES YOU'D LIKE TO SAY TO ALL THE READERS ?
I just want to thank everybody for taking the time to read this, and for shining a light on a part of the industry that often stays behind the curtain. Your support for the voices behind the scenes truly means a lot-it's more than appreci- ation, it's a recognition of how we all contribute to the greater human story. If there's one thing I've learned, it's that stories connect us. Whether they're whispered, shouted, or in a pixelated game. Every voice matters. Keep listening, keep dreaming, and if you've got a story to tell... tell it loud, and speak it with truth. And tell it the only way it can be told-with your voice saying it.