FEATURING ELIAH
For all viwers reading this can you introduce yourself?
Hey there, I'm Eliah Mountjoy-a voice actor, communicator, and above all, a storyteller. I use voice to breathe life into characters, connect emotion to sound, and bring stories off the page and into the heart. I believe stories cross borders, break barriers, and bind people closer together no matter where they come from.
PLEASE TALK ABOUT HOW YOU GOT STARTED IN THE VOICE OVER INDUSTRY.
I stumbled into voice over the way most VO stories start-by accident, then obsession. I began in theater, chasing stories on stage, then on screen, but once I stepped behind the mic, something clicked. There was a freedom in the booth. A chance to strip it all down and let the voice carry everything. That quiet intensity drew me in and I never looked back.
WHAT MADE YOU GET STARTED IN THE VOICE OVER INDUSTRY?
I suppose it was a combination of curiosity and timing. I was already chasing storytell- ing on the stage and screen,as well as mu- sic, but voice over felt like this secret world where imagination just ran wild. No sets, no costumes...only pure imagination and make believe. Once I realized I could shape a scene with nothing but my voice, I knew I'd found something special.
PLEASE SHARE A MOMENT WHERE YOU FELT YOU WANTED TO BE INSPIRED TO BE A PART OF THE VOICE OVER INDUSTRY.
I remember watching the animated Hob- bit by Rankin/Bass as a kid--and being completely transported. The voices in that film had this mythic weight, like they were echoing from another world. It wasn't about flashy CGI visuals-it was about tone, rhythm, and presence, and voiced by some legendary storytellers. It was that invisible connection that stuck with me. I knew I wanted to be part of that kind of storytelling someday.
PLEASE TALK ABOUT THE CHALLENGES YOU FACE IN THIS INDUSTRY AND HOW YOU OVERCOME THE CHALLENGES.
This industry demands consistency in an inconsistent world. Rejection is daily, feed- back is rare, and the silence between gigs can be deafening. But I've learned to treat the quiet as a creative space and not a prison or punishment. I stay sharp, stay curious, and keep showing up. Voice over isn't about waiting for luck. It's about being ready when it shows up.
BUT ONCE I STEPPED BEHIND THE MIC, SOMETHING 99
RIES START-BY ACCIDENT, THEN OBSESSION. I BEGAN IN THEATER, CHASING STORIES ON STAGE, THEN ON SCREEN, 66 I STUMBLED INTO VOICE OVER THE WAY MOST VO STO-