Final zine project for CANS312!!!
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Helping make sure that everyone can rock out safely
By Zoe Frantz CANS312 (Disability, Technology, and Public Affairs in Canada)
My Mom and I have always connected over music. She listened to Billy Idol while pregnant with me, and we both love going to concerts.
However, her vertigo diagnosis changed things a bit...
For someone with vertigo, going to a concert can be a scary and unpredictable experience...
When it comes on, the room feels like it's
SPANTING and in the worst cases, vertigo makes people faint and lose consciousness, or BLACKOUT. ✶✶
Gender and sexuality can add further challenges to living with a disability (Smilges and Greenberg, 2025, p. 154). For my mom, being a woman of colour compounds the difficulties of attending a concert with vertigo.
When my mom's vertigo is aggravated, walking downstairs can use half a day's energy, or 6/12 spoons (Miserandino, 2003).
For concerts, she has two options:
1) Attend live music events at her own risk
This has left her with a "Hobson's choice" (Janz, 2023, p. 304), but this shouldn't be the case.
I therefore propose concert "safe zones"...
Concert venues can help make things safer for people with vertigo by creating an environment of LOW STIMULATION.
This can include the following provisions & practices:
Vertigo is triggered by loud noises. Musician's ear plugs, NOT foam earplugs, mitigate this.
Concerts can get hot, causing dizziness and fainting. Having a maximum temperature helps ensure body temperature regulation.
The energy from concerts can be overwhelming. Having a place to rest provides a way for people to 'take a break, even when they don't want to' (Samuels, 2020, p. 160).
Quick movements and changes in direction aggravate vertigo;
to limit this, moshing would not be permitted
Our world is steeped in ableism (Janz, 2023, p. 300), so limiting safe zones to disabled folk flips this script
N 12345 ONE
ADMI ONE
Men AND women to create comfortability for women and queer folk
SECUR
Lining the section for protection without reducing people to their disabilities
Staff with complimentary water to make sure fans stay hydrated (ideally in all concert sections)
Everyone gets a buddy to create a care web rooted in "solidarity not charity" (Piepzna-Samarasinha, 2018, p. 9)
TELUS
Security guards/volunteers in plain clothes/minimal uniform lining the section so it blends in with the rest of the crowd (also checking tickets, assigning buddies, enforcing rules)
Safety Zone
Chairs/space near the music to sit and take a break without missing the show
Personnel/volunteers passing out water, earbuds, fans (potentially) - priority is the safe zone but expanding to everyone is ideal
General Admission
Balcony
Another possibility:
expanding these provisions to the balcony, or having pre-booked seating for disabled folk (like a pre-sale)
Balcony
Figure 5.
To conclude:
These are only a few suggestions.
Extending and tailoring Smilges' proposed "language of accessibility needs" to other disabilities can help ensure that everyone gets what they need (Smilges, 2023, p. 40).
Safe zones are just one means of implementation; what is important is that we start the conversation so everyone, including my mom, can keep rocking out.
(Scan for image references)