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Gaga revista de vibs

By Vibs Vargas

For fun, entrega final de color

Go to stand
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https://covver.com/magazine/vibsvargas-v6g4/gaga-revista-de-vibs-3PR0XyhITNnaZhXmPwlS
Published
Jun 5, 2026
Pages
38

More in this magazine

  • CoverMOTHER MONSTER by vibs
  • Page 32008 THE FAME
  • Page 4FASHION! FASHION! LADY
  • Page 5F A S
  • BUDDIESGaga had a raw fashion edge from the get-go. In the music video for her first single, "Just Dance," we got our first glimpse at just how effectively Gaga uses costuming. For one look, she wore a vintage red Mugler jacket, complete with gigantic vintage Versace shield shades. In another, she wore a disco ball bra that she made herself. The statement outfits felt both fresh and creative, but they were only the beginning. AGAGAGAGAGAGAGAGAGAGA
  • Page 9By 2011, Gaga collaborated with fashion designer and creative director Nicola Formichetti. You might recognize their work from the famous "meat-dress" seen in the grammy awards. "Everything with Gaga always, especially in fashion, comes from the music. It's always important that we embody what she wants to do with her music," Formichetti tells Variety of their creative partnership.
  • Gaga &HUSSEIN EHALAYAN
  • THE BUBBLE A J11DRESS 2009 Christian Hedman
  • in live for the ABBLAUSLady Gaga released the music video for her track 'Applause' from her fourth studio album 'ARTPOP' on August 19, 2013 directed and shot by Inez & Vinoodh. From hanging from the ceiling to throwing and catching knives and walking a down a Galliano-inspired runway, Gaga's character shows no fear in this video!
  • Page 16BEFORE WE DID IT
  • Page 17HOTEL AMERICAN
  • Page 18Photographer Michael Avedon photographed Gaga back in July 2015 for the cover of Entertainment Weekly. She was dressed as The Countess - her character from American Horror Story. Gaga's glam was handled by her actual team which consists of makeup artist Sarah Nicole Tanno and hair stylist Frederic Aspiras. Costume designer and stylist was Lou Eyrich.
  • Page 20In 2016, Lady Gaga adopted a "grunge," stripped- back aesthetic to align with her fifth studio album, Joanne. This era marked a departure from her previous avant-garde pop styles, embracing a more "organic," rock-focused sound and personal image. Runway Appearance: She also leaned into a gothic/grunge look during the Marc Jacobs Fall 2016 fashion show.
  • Page 21VICTORIA'S
  • Page 22SECRET.
  • A STAR100000 000
  • Page 24OU 2018
  • Page 25The MET gala 2019
  • Page 27CHOLPA
  • Page 28The pop star is a noted champion of smaller, independent artists— she has worked with many such as Vex Clothing, Laurel Dewitt, and Kaimin. For the Chromatica cover, she worked with her longtime stylists Nicola Formichetti and Marta del Rio to pull in pieces from three under-the-radar talents from all over the world. Below, meet the three special collaborators and their theatrical Chromatica creations.
  • Page 30Lady Gaga has released her new album "Harlequin", a companion piece to the upcoming film "Joker: Folie à Deux".
  • Page 322022 Olimpics
  • MAYHEMLVDY GAGA
  • Page 34The fashion highlights a contrast between chaos (represented by red and black leather/latex) and vulnerability (white, softer fabrics). For example, during performances, white, feathered outfits were intentionally ripped or paired with red scar motifs, symbolizing personal struggle and theatrical resurrection. Lady Gaga's Mayhem era (2025) fashion defines a dark, avantgarde, and gothic aesthetic, characterized by a monochromatic palette of red, black, and white. The style merges cyberpunk influences with high-fashion, featuring dramatic, structured pieces, corset bodices, latex, and theatrical gothic glamour. Key looks include a custom crimson Samuel Lewis gown, Robert Wun tailoring, and intricate Victorian-punk stage costumes
  • MAYHEMLVDY GAGA
  • MOTHERMONSTER IS BACK
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  • HOTEL
  • AMERICAN
  • HORROR
  • STORY