01 Jan 1977
Powerhouse Drummer
P H O T O G R A P H Y BY T O N Y T O D A R O , JR.
Billy Cobham is one of the most unique and progressive drummers in contemporary music. Ex-percussionist for the MAHA- VISHNU ORCHESTRA and frequently sharing the stage with George Duke's keyboards, Cobham has completed seven albums as the leader of his own band. Not since Gene Krupa pushed the drums to the front of the Big Band sound has a drummer earned such eminence in percussion. Unique, too, is Cobham's personally styled drum set. There can be no exact duplicate of the array of cymbals and drums that surround the man on stage. The snare drum is hand crafted by Al Duffy for Cobham. The drum set includes seven toms. The upper four are two 8 x 12's, a 9 x 13, and a 10 x 14. The three lower toms are two 16's and an 18 x 18 - all of which he seems to be able to hit at the same time. The toms are all conventionally built but Billy tunes them according to the pitch he is writing in, usually F, B flat, D flat and sometimes B natural. He also uses two 14 x 24 bass drums and two
North drums.
The Norths look like ship funnels and flare out at the bottom, their open lower end usually aimed at the audience. In addition, Cobham displays two half bass drum shells (bisected bass drums) which produce a tympani-like sound. There is no head on the back and a tympani head covers the beater side. The insides of these drums are coated with polyurethane so that the sound bounces around instead of being absorbed by the wood. The rest of Billy's heads are standard Remo.
His sticks are Promarks and he uses Avedis Zildjian cymbals. There are easily a dozen cymbals within stick reach. His array includes 14" hi-hats, a 26" swish-knocker which looks like an ordinary cymbal turned upside down with its edges slightly folded. There is also a 22" ride and several crash cymbals, a 20", a 19", a 17" and sometimes a small 7" crash at hand.
Anvil cases protect Cobham's drums which are made of fiberglass and plywood with steel reinforcement.
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