W&W
FI E FL
PHOTOGRAPHY: Frazer Harrison/Getty lot of the language of the weaponry or the teams these guys were on or how they work together or why they work together, and what, to me, is most important is not always the content of that research but more to see the fire that it ignites in another person when they speak about it, and so that's always very valuable to see what draws people like I know nothing about cooking, but when I watch a chef talk about what sour tastes like, it gives me a real clear indication of how to play a chef.
Talk a little more about your character and their role in this story
David Harbour My character sort of enters early in the movie and then kind of finishes the movie as well, um, and so we're starting very early when levon comes here to try to figure out whether or not he's going to be able to accomplish the task and sort of view me as this mirror said to his limitations and to see if it's you know, if he's able to let go of some of the guilt of what's happened between us to be able to be called to action.
I believe that this movie requires you to approach it in a certain way, incorporat- ing metaphors. However, as I continue to research, I've discovered that stories are deeply personal. I believe that the more personal your work becomes, the more effective it can be.
we're also shooting the end; there he comes back, and we sort of wonder if he's ever going to be rid of this drama in his life, so we've been shooting that we're out in this beautiful cabin; it's like a fire pit, and there's some lovely woods and stuff the production value is amaz- ing; it's a pain in the ass to get here, which is always great for production value, but it's
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IM beautiful, and you know, we're sort of trying to carve out what this brotherhood is between these guys and trying to find that.