FEATURING MORGAN
Any classes, books, or programs you recom- mend?
Absolutely. I trained through Such A Voice, where I focused on commercial and narration work. Their coaching helped me shape a pro- fessional presence and find my unique sound.
But more than anything-I recommend becoming part of the voiceover community. It's unlike anything I've experienced. Coming
How do you approach a voice-over script?
I approach every script like a con- versation with someone who needs to hear it. First, I pause-I breathe it in. I want to feel what it's saying be- neath the words. Then I imagine the person on the other side of the mic: what they need, what they're carry- ing, how I can reach them.
Whether I'm voicing a corporate piece for PHMG, a character in animation, or narrating my own empowerment from a background where support was scarce, I was stunned by how generous, welcoming, and uplifting this industry can be. Voiceover artists cheer for each other. We share tips, re- sources, referrals. There's a deep understand- ing here that rising together is better than going it alone. It's rare. And it's real.
Do you have a specialty in voice work, or do you do several types?
I work across several genres, but my true passion lives in video games and dubbing. I've been a gamer since the 1980s-and I'm not stopping anytime soon. I still game every day with my friends, and my longtime gamer tag has been Bionic Siren-the name that eventually became my brand. It reflects both the resilience I've lived through and the sound that draws people in.
For beginners, The Voice Actor's Guide to Recording at Home is a practical, affordable resource. And platforms like Gravy for the Brain and Voiceover
People often describe my voice as soothing, raspy, eloquent-and yes, even sexy. That natural vocal texture lets me slip into emotionally rich characters with ease, whether I'm voicing a cun- ning rogue, a haunted empress, or a wise mentor
Pros on Linkedin offer both tools and connec- tion.
in a dubbed series.
Outside of that, I've built a strong presence in IVR and corporate narration through PHMG, and also lend my voice to podcasts, meditations, and social content. But video games and dub- bing? That's where my heart truly belongs. That's where I feel most alive.
And speaking of LinkedIn that's truly where it all started for me. I began making authentic connections, learning from working pros, and little by little, doors began to open. That network became my lighthouse.
What does this industry mean to you?
To me, voiceover isn't just a career-it's a lifeline. It was then, and it still is now.
I'll be completely honest: when I started, I was in a very dark place. Living with ADHD and rejection sensitivity dysphoria, I felt like I was constantly battling invisible waves. I had hit a point where I knew I had to do something drastic to pull myself out. I had it all planned... but something inside me wouldn't let go.
One afternoon, while gaming, a single thought surfaced: "I still have a voice. And I can use it to make a living." People had always told me my voice was unique-soothing, raspy, eloquent. That day, I chose to believe them.
That moment didn't just change my direction. It saved my life.
It truly depends on the proj- ect-but for most of my work, I prefer the comfort of my own recording space. Not only does it offer convenience and creative control, but it's also easier on my body. As some- one managing a chronic illness and living in rural America, transportation to commercial studios isn't always available. But I don't let that stop me--I work around the challenge. I've created a professional space that supports both my craft and my well-being.
How do you handle receiving feedback and direction from producers or direc- tors during recording sessions?
I welcome it-wholeheartedly. Feedback is a gift. It means someone has taken the time to see you, hear you, and help you shape the work into something even stronger.
Honestly, I wish more casting directors and producers had the time to offer it. But with the sheer number of submissions they receive, I know that's not always realistic. That's why I attend as many free webinars and live direction sessions as I can-just to get those rare moments of professional insight. I love hearing how others hear me. It sharpens my instincts and stretches my range.
content for TikTok or Boundless Me- dia-I always lead with connection. Tone, pacing, and emotional texture follow naturally when you anchor into who you're speaking to and why the message matters.
And of course, no setup is A good read is technical. A great one complete without my studio is human.
cat, Lola-she knows all my secrets and absorbs sound like a tiny, purring sound blanket. Together, we make magic from the middle of nowhere.
I don't take direction personally-I take it seriously. Because the goal isn't to be perfect. The goal is to bring the vision to life-and I'm always ready to rise to that.
What do you recommend? Setting up a home studio or using a com- mercial recording facility?