Entertainment issue featuring Alan Walker and HYDE from legendary Japanese rock group L'Arc-en-Ciel.
FUSION: Speaking of sound tracks, our magazine covers a wide range of topics related to movies. Do you ever think you can collaborate with musicians you know only from Hollywood? But also around the world. If you are observing, is there any- one you might consider reaching out to?
Alan Walker: I mean, I am always open to collaborating with anyone from any market. Music is universal, so anything is possible. For example, I've been working with different artists from India to cre- ate more traditional Indian music. There are also many opportunities to blend electronic dance music with other styles, like traditional Japanese music. I'm al- ways excited about exploring these pos- sibilities and creating something unique.
FUSION: We're almost wrapping up be- cause this was a really great inter- view. I just wanted to basically touch a little bit more on what we can expect from Alan Walker throughout the en- tire year. And you know, obviously, right now you have a really big track com- ing. But is there anything else that fans can expect in the next couple of months?
Alan Walker: Well, for Walkers out there, there will definitely be more music coming out as we aim to release new music every single month throughout the year!. So us- ing some time focusing on finding the right tracks and vocalists, as well as planning more shows. We're aiming for around 75 to 100 concerts worldwide this year, which is going to be incredible. Besides that, expect a lot of interactive projects within the Walker community that I think you'll really enjoy.
FUSION Now, because you are going to be on the front cover of Fusion maga- zine. I wanted to know what's the best advice that you can give people out there who are reading that maybe they're hav- ing the thought of what it's like to be in your shoes, and how can I get a lit- tle bit of that? Can you give a little bit of inspiration in the form of feedback?
"Barcelona," the second single from Alan Walker and Ina Wroldsen's successful collaboration, is another hit. Walker's production skills turn Wr- oldsen's demo into a polished, upbeat anthem that flawlessly captures the spirit of a summer night. Wroldsen's heavenly vocals combine in perfectly with Walker's distinctive futuristic groove, adding a cheerful and carefree soundscape to the song.
Alan Walker: Indeed, my advice to anyone aspiring to become a DJ or music producer is to pursue both. Don't just start Djing; start making music too. Many people mis- takenly think DJing and music-making are synonymous, but they are distinct skills that complement each other. If you can establish a successful DJ career, you can also grow your music career effortlessly.
It's crucial to discover your unique style, identify what sets you apart from others, and, most importantly, never give up. Suc- cess can come at any moment, so keep pushing forward.
FUSION :When you first started your brand, the Alan Walker brand, I'm sure you were juggling multiple roles such as a promoter, a marketer, a produc- er, and a DJ. In retrospect, do you per- ceive any potential changes that could have been made from the beginning to the present? Or do you feel like every- thing happened as it was supposed to?
Alan Walker: I think the puzzle pieces have fallen in place the way they're sup- posed to. I would never have predicted that I would be sitting here today. If you asked Ime 8, 9, or 10 years ago, I would never have expected my music to go anywhere. I just pursued what made me happy, and I made music for fun, with no financial intent of either making money or getting a huge following worldwide. However, it was driven by a pure passion for the music and a desire to have fun. However, I was simply doing what I do best. And it's still the same today. I love working with music, and I love traveling the world and play- ing music for people and fans all around.
FUSION : Let's go back to the early days of Alan Walker. When you grew up and got inspired to get into music, what were your favorite artists that you were listening to growing up?
Alan Walker: I listened to a wide va- riety of genres. For example, I had a huge punk-rock era. I adored the music of Linkin Park, Green Day, Metallica, and similar genres. However, we began to listen to Tiesto and David Guetta more frequently, as they were timeless clas- sics from our childhood. Then, I began to explore the art of music-making, gaining extensive knowledge from YouTube. From that point, everything fell into place, and the journey began.
FUSION So there's a difference be- tween liking somebody, like when you grew up and liking someone like a mu- sician, and then when you actually work with that person. From my experience, you know, I feel that there's a big differ- ence. So for you now that you've stepped into the light and you've actually men- tioned David Guetta and Tiesto, I'm sure you crossed paths with them or even be- came acquainted with them somehow. But how do you see that from a differ- ent perspective and in a different light?
Alan Walker For me, I grew up listen- ing to Tiesto and David Guetta. Artists like David Guetta, Tiesto, and Steve Aokihem my colleagues. I enjoy crossing paths with them at various festivals, and we've de- veloped a close friendship, which I find really appealing. The EDM community is amazing everyone is genuinely nice to one another. Artists like David Guetta, Tiesto, and Steve Aoki are not only great inspirations but also do a lot to support up-and-coming artists and producers in the industry.