Eureka Afrika Zimbabwe Issue 4

• AFRIKA
• COVER STORY
• JOSEPHINE SOKO
• IMANI
• MAGAZINE
• AFRIKANIQUE
• AFRIKAR
• THE BLACK CROWN EDITION
• 4TH EDITION DEC 2025

• COVER
• AFRIKAR
• 4TH EDITION DEC 2025

• AFRIKA MAGAZINE
• CRAFTED IDENTITIES
• AFRIKA
• MAGAZINE
• 3RD EDITION SEPT 20

MAZVITA ZHOU Up close and personal with stemming R&B UK-base singer songwriter.

• Global Icons Embrace
• Every rican Roots.
• Rays Trust Dorothy Madamba

Empowering leaders of tomorro arming them with deep respect for nature. Interview Article

• JOSEPHINE SOKO
• IMANI
• AFRIKANIQUE

CRISPEN SIBANDA

The Ghana-based Afro Pop superstar shares his journey & music insights with us in this exclusive interview.

• EUREKA
• THE BLACK CROWN EDITION
• Unveiling African Excellence
• Eureka Afrika Zimbabwe Magazine
• An Afro Phoniex Daring Fashion
• Narratives: The Tale Of Messing Manjer
• The Met Gala & Zimbabwe
• 1 Fashion Industry Can
• Mla's Celebration of EUREKA MAG
• CELEBRATING AFRO EXCELLENCE
• Black Style

ZIM HIP-HOP DOMINANCE The backbone of Zim Hip-Hop

• Fost adition
• Zimbabwe Film Industry:
• A New Dawn Amidst Shadows
• GERAR
• GET A FEATURE NEXT
• Where Talent Meets Editorial Excellence.

Powered by Eureka Afrika Zimbabwe, we spotlight creatives, brands and visionaries shaping Zimbabwe's cultural future. Features, interviews, editorials and partnerships.

• CONTENT DEC 2025
• EXCLUSIV
• COVER STORY
• Becoming Stella

Makoni. 11

At just 23 years old, Stella Tarira Makoni is proving that morden runway demands more than just a silhouette.

Musa Zulu and his way of capturing the perfect shot.

Photography is more about translating a feeling than just a trend.

ZIMBABWE

Year Of the Kings

How Male models raised the Zimbabwean flag high on global stages.

FEATURES

The Pageant 30 Triumph with a Crown

• NET LX
• BAL
• FLUACE
• Kudi Maradzika and the PARTNERSHIPS
• Breakthrough of Bad Influencer
• Oscar Consideration Zimbabwean Film 36

Rise Zimbabwe changing the narratives for Zimbabwean cinema with multi international recognitions

• How Mzolisi Owned 2025 Fashion status
• LET'S
• WRAP UP

Zimbabwe's creative economy did not whisper this year it asserted itself. Across music, visual arts, theatre, fashion and urban culture, creators moved with intent, building platforms, commanding audiences and exporting Zimbabwean stories beyond borders.

From packed festival grounds to landmark award nights, the year marked a shift from survival to structure.

Let's build legacy together. We collaborate with brands, institutions and visionaries aligned with culture, creativity and impact. Partner with us to shape narratives that matter.

• FEATURES
• @eurekaafrikarzw f O EUREKA
• OSEPHINE
• IMANI
• AFRIKANIQUE
• THE BLACK CROWN EDITION
• ISSUE 04

• The Golden Threads of Imani Afrikanique.
• An Exclusive Sit-Down with Josephine Soko.
• By Tafadzwa Chisasa

In the volatile, ever-evolving landscape of high fashion, few names resonate with the rhythmic pulse of the continent quite like Josephine Soko. The visionary behind the powerhouse brand Imani Afrikanique, Soko has done more than just stitch fabric together; she has woven a narrative of "African Luxury" that refuses to be sidelined.

Fresh off a string of prestigious wins, including Best Fashion Designer and Excellent Costume Design and countless nominations, Soko is proving that the Zimbabwean fashion scene isn't just surviving, it's leading. To step into her world is to understand that for her, fashion is not merely a garment it is gold

I sat down with the award-winning designer to discuss her meteoric rise, her ancestral inspirations and why 2026 is poised to be her most explosive year yet.

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ZIMBABWE

Tafadzwa Chisasa: Every great artist has an origin story. Can you share a defining moment from your childhood that sparked your passion for fashion? Josephine Soko: I was never a fashionista growing up. I didn't come from a glamorous or fashion-forward background at all. But my mother's sister was a seamstress, and watching her work opened a door for me. I used to sit beside her as she sewed, turning plain fabric into something beautiful and meaningful. Even though I wasn't into fashion back then, seeing her creativity and skill planted a seed in me. That quiet exposure became the foundation of the passion I eventually grew into.

to ra

"There is a profound humility in Soko's beginnings. Unlike the stereotypical "fashion child" born into silk and satin, her talent was forged in the quiet observation of craft. It reminds us that excellence often starts not with a spotlight, but with a "seed" planted in the simplicity of a seamstress's workroom."

Tafadzwa Chisasa: The industry is notoriously difficult to break into. What was the biggest challenge you faced when starting your fashion journey and how did you overcome it?

Josephine Soko: My biggest challenge was starting with limited resources and having to build everything from scratch skills, clients, confidence and networks. What helped me overcome this was resilience and determination. I learned to make the most with what I had, to grow step by step and to constantly improve my craft. I embraced every setback as a lesson, not a defeat. That mindset became the foundation of my brand.

Tafadzwa Chisasa: Your work feels deeply rooted. Where do you draw your inspiration from and how does being African influence your designs?

Josephine Soko: My inspiration comes from African stories, colours, traditions and textures. Africa is rich, bold, expressive and deeply soulful and I channel that spirit into every piece I create. Being African influences my work by reminding me to honour my roots, celebrate my people and design pieces that carry meaning, identity and pride. With every design, I try to reflect the rhythm, energy and elegance of African culture.

Tafadzwa Chisasa: When we see an Imani Afrikanique piece, we know it instantly. Is there a signature element in your work that you feel truly represents the brand?

Yes. My signature is the fusion of bold African symbolism with modern, elegant tailoring. Imani Afrikanique pieces always hold a story whether through colour, structure or detail. I focus on designs that are powerful yet feminine, culturally grounded yet global. My work always carries a sense of "African luxury" a blend of heritage and high fashion.

• IMANI
• AFRIKANIQUE
• Fashionreflects who you are.

for Tafadzwa Chisasa: No one reaches the summit alone. Who are some of the key people or collaborators you've worked with that have shaped your journey and how?

Josephine Soko: I've been blessed to work with mentors, clients and creatives who believed in my vision even before the world saw it. Collaborating with influential women in Zimbabwe's beauty and fashion industry pushed me to expand my creativity and professionalism. Each collaboration taught me something discipline from industry leaders, courage from bold clients and innovation from fellow designers. Every person played a part in shaping the designer I am becoming.

Looking back at your trophy cabinet and your portfolio, which accomplishment in your career has been the most meaningful to you?

Josephine Soko: The most meaningful accomplishment was being chosen to design high-profile personalities and international platforms including being considered for Tiffany Haddish's reality show. Those moments didn't just validate my talent; they reminded me that dreams are real and African designers deserve a global spotlight. Every milestone feels like a step closer to my purpose.

Josephine Soko's brush with international stardom, specifically the nod from the Tiffany Haddish camp, marks a pivotal shift for Zimbabwean fashion. It signals that our local talent is no longer "emerging" it has arrived. This talent is underscored by a heavy mantle of recent accolades, including being named the Diamond Winner for Outstanding Woman in Arts & Culture of the Year at the 2025 Megafest National Women's Business Awards, as well as securing the She-Millionaire Africa Women Wealth Builders Award Winner 2024 for Fashion Designer.

Tafadzwa Chisasa: There is a moment for every brand where the wind finally catches the sails. Can you describe a breakthrough moment that changed the course of your brand?

Josephine Soko: A major breakthrough came when clients began recognising my work instantly even without seeing my name on it. That was the moment I knew Imani Afrikanique had developed a strong identity. Another breakthrough was when I showcased at major events in Zimbabwe and received overwhelming support. It made me realise my brand had moved from being a small dream to a powerful, respected voice in fashion.

That industry respect has manifested in tangible honors. Soko's ability to command a room is reflected in her Silver Excellence Award in Costume Designing from the All National Excellence Enterprise Awards (2023) and being named Best in the Category of Fashion Designer at the ZUWB (Zimbabwe Unrecognised Women in Business) Awards in May 2025. Even the broader beauty sector has taken note, presenting her with a Certificate of Appreciation for Partnership & Sponsorship at the 2025 Zimbabwe Beauty Industry

Tafadzwa Chisasa: You've conquered the local stage. How do you want your brand to influence the African fashion industry and the global stage?

Josephine Soko: I want Imani Afrikanique to stand as a beacon of African elegance and innovation. My vision is to show the world that African fashion is not just cultural it is luxury, modernity and artistry. I want my brand to create opportunities, empower young designers and redefine how Africa is viewed in global fashion. My dream is for African designers to be celebrated not as trends, but as leaders

Tafadzwa Chisasa: When a woman zips up an Imani Afrikanique gown, what should she feel? What emotions or messages do you hope people feel when they wear your designs?

Josephine Soko: I want people to feel powerful, seen and deeply connected to who they are. My designs are meant to inspire confidence, pride and boldness. When someone wears Imani Afrikanique, I want them to feel transformed as if they are stepping into their highest self, their queendom, their authentic story.

Tafadzwa Chisasa: The industry is buzzing with anticipation. What should people expect in 2026?

Josephine Soko: 2026 is a year of expansion. Expect bolder collections, new collections and a stronger global presence. I'm working towards showcasing internationally, launching new lines and elevating the Imani Afrikanique experience. People should expect innovation, grow and a brand that continues to push boundaries.

Tafadzwa Chisasa: Finally, Josephine, how has building this brand shaped you as a person and what advice would you give to those looking up to you?

Josephine Soko: Building this brand has taught me patience, resilience, and the power of trusting my vision. It has shaped me into a woman who believes in her voice and isn't afraid to grow. My advice to aspiring designers is start where you are, with what you have. Learn constantly. Stay authentic. Don't rush the journey. And remember African creativity is powerful and limitless. Own your story fiercely

Josephine Soko is not just designing clothes; she is architecting an identity. In a world that often tries to categorize African art as "ethnic" or "niche," Soko is reclaiming the word Luxury for the continent. If her trajectory is any indication, the world better be ready for the "Queendom" she is building.

• ATTENTION TO DETAIL
• SERENITY
• Stella
• BECOMING MAKONI

By Charlene Makwarimba

At just 23 years old, Stella Tarira Makoni is proving that the modern runway demands more than just a striking silhouette it requires a soul.

Born in April 2002, Makoni has rapidly ascended from the local circuits of Harare to become a formidable presence in the international fashion community. Yet, beneath the high-fashion editorial projects and the rhythmic pulse of the catwalk lies a woman defined by her deep-seated commitment to her roots.

• in 2025
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Raised by loving parents Makoni's narrative is one of grit rather than just glamour. "My mother taught me that beauty is a byproduct of character," she often notes, reflecting on a childhood that prioritised education and integrity. When she isn't under the studio lights, she is a dedicated scholar and a fixture at her local gym, balancing the rigours of a burgeoning modelling career with the mental fortitude of a competitive athlete.

As she continues to bridge the gap between academic pursuit and professional artistry, Makoni stands as a beacon for a new generation of African talent. She isn't just a face on a commercial advert, she is a testament to the fact that intellect and elegance are not mutually exclusive, but are the dual engines driving her toward a global stage.

The evolution from the early stages of a career to mainstream recognition is rarely as seamless as a runway walk. For Stella, the breakthrough required total dedication and a "work harder, play later" mentality. In the beginning, she was her own manager, handling her own makeup, transport, food, wardrobe and scouting photographers to build a portfolio from scratch. She learned to maximize every available opportunity even the non- paying ones to gain the necessary exposure.

Growing up in the creative community of Sunningdale provided a fertile ground for her early music video features. Still, it was a friend's recommendation that secured her the pivotal Afro T10 fashion show. This period of "pushing" was significantly bolstered by the mentorship of Tatenda Njanike. Stella describes his guidance as one of the greatest blessings of her journey, crediting him with teaching her the nuances of the industry that have helped her climb toward her goal of becoming one of Zimbabwe's top runway go-to model.

Perhaps the most defining moment of Stella's career was born out of personal adversity. Early in her journey, she lacked support from family. and her ex-husband frequently attempted to derail her dreams, claiming she would never reach a national stage. During a particularly heated moment, she made a bold declaration of intent: "I told him I was going to appear on an Econet billboard one day".

That conviction was vindicated when she landed a major commercial shoot for Baker's Inn, which propelled her face onto national TV. "I knew this experience was going to stand out for me because it was personally attached to me and my background," she reflects. This breakthrough, followed by the "fulfilling" experience of walking in Zimbabwe Fashion Week, Afro T10 Fashion Week and becoming a model for The Milli clothing brand, has firmly put her name on the map.

T10 Fashion Week 2024

ZIMBABWE

Today, Stella stands as a beacon for a new generation, guided by a set of uncompromising personal values which she shares

Self-Love: Prioritize loving yourself more.

Self-Reliance: Understand that no one is coming to save you.

Financial Discipline: "If you can't buy it twice, you can't afford it yet".

Vision: Live as if you are already there, for your future self already holds your success.

To emerging models who wish to follow in her footsteps, her message is one of radical perseverance: "Trust the process and never give up, no matter what". For Stella, the journey is only now simple, she leaves her readers with one final piece of wisdom: "If God put that desire in you, don't worry, just follow through and He will fund it".

MOSA

The Eye Behind The SHOT

Get to know one of Bulawayo's finest Fashion and editorial photographers, Musa Zulu. The man behind many iconic fashion and Editorial projects that feed the eye with satisfying art.

• Eureka Afrika Magazine, 4th Edition
• PHY
• EUREKA
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W ith a lens guided by intention and a vision rooted in precision, Musa Zulu, founder and creative force behind Musa Photography, has carved a distinct visual language within fashion and editorial storytelling. His work moves beyond surface beauty, capturing mood, structure, and identity in a way that feels both deliberate and timeless. This Q&A offers an intimate entry into Musa's creative world unpacking the philosophies that inform his imagery, the discipline behind his aesthetic choices and the evolution of a photographer who understands that fashion is not just worn, but interpreted. Through his words, we uncover how Musa Photography continues to shape narratives frame by frame.

How would you describe your creative identity and background to readers discovering your work for the first time?

My creative identity has been shaped through limitations, patience, persistence and it continues to evolve. I am a beauty and fashion photographer who learned by doing, often working in small spaces, improvised studios and outdoor setups. I am still on the journey of building a better structure and a dedicated studio for myself. The process has been long, but it has trained my eye to rely on light, intention, and discipline rather than convenience. My work reflects growth in progress, built through consistency and a belief in the vision, even before the resources are fully available.

How do you define your photography as an art form and what emotions or ideas do you aim to express through your visuals?

I define photography as a form of communication and reflection. It is less about capturing a moment and more about translating a feeling, presence and identity into an image. My work often explores softness and strength existing at the same time. I aim to create images that feel calm but powerful, where the subject feels respected and seen rather than performed for the camera.

Where do you draw your strongest inspiration from when developing an editorial concept?

My strongest inspiration comes from lived experience, everyday observation, fashion imagery, films, and music. I am influenced by moments that feel quiet but meaningful. When developing an editorial concept, I usually start with an emotion or state of mind, then build the visual language around light, posture and mood. Working with limited resources taught me to simplify ideas and focus on what truly matters in the frame.

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What defines your approach to creating compelling editorial shoots?

My approach to creating compelling editorial shoots is rooted in clarity and restraint. I learned early that overcomplicating a shoot often hides the message. I plan my concepts carefully, but I stay open on set and allow space for natural movement and expression. Lighting and composition are central to my process because they became my strongest tools while everything else was still developing.

When working with models, what energy or qualities do you respond to most behind the lens?

When working with models, I respond most to presence and honesty. I value comfort, trust and a willingness to be guided. I pay close attention to body language and energy, especially in moments of stillness. I enjoy working with people who understand that confidence does not always need to be loud, and that subtle expression can carry just as much power.

Which shoot so far best represents your growth as a photographer and why?

One of my best shoots so far represents my growth as a photographer. It is my most recent fashion shoot, featuring a mother of two. The intention was to strip away assumptions and focus purely on form, confidence and presence. I approached the shoot with more discipline and trust in simplicity, allowing lighting, posture and direction to carry the image. This shoot reflects my growth not only technically, but in how I see subjects and how confidently I now execute my vision.

As the conversation closes, one truth stands firm, Musa Zulu's work exists as both documentation and direction within Zimbabwe's evolving visual culture. Through intention-led storytelling, technical discipline and an unwavering commitment to authenticity, his practice reflects a deep understanding of photography not merely as an art form, but as a cultural record. From navigating the demands of media visibility to shaping fashion narratives that speak to place, identity and moment, Musa Photography emerges as a quiet yet commanding force within the industry. This dialogue situates Musa Zulu not only as a photographer behind the lens, but as a visual author contributing to how Zimbabwe is seen, archived, and interpreted locally and beyond. In an era where imagery defines memory, his work stands as evidence that Zimbabwean photography is not catching up, but confidently defining its own frame.

KINGS

YEAR OF THE ZIMBABWE

The Zimbabwe Pageant World was a glorious win for Zimbabwe, from our queens earning their place on global stages to the Kings becoming global influences by securing the highest placements in male pageantry, a feat that was both historic and record-breaking.

In the tapestry of Zimbabwe's cultural history, 2025 will be etched as the year the "gentleman" became a "monarch." For years, the spotlight of pageantry in Zimbabwe leaned heavily toward the queens, but the script has been decisively rewritten. From the runways of Harare to the global stages of India, the Philippines and Nigeria Zimbabwean men have transitioned from mere participants to formidable titleholders.

EUREKA ZIMBABWE

This isn't just a trend it's a revolution. In what industry insiders can call the "Year of the Kings," three names have surfaced as the architects of this new legacy: Sanchez Mpofu, Munashe Siyanata and Takunda Ryan Chitope.

If there was any doubt about Zimbabwe's ability to compete on the world stage, Ngoni Sanchez Mpofu silenced it in August 2025. Competing at the Mister Teen Universe in India, Mpofu didn't just participate he made history.

By clinching the 3rd Runner-Up position on August 17, Sanchez became the first Zimbabwean and the first African to ever reach the Top 5 of this prestigious global competition. Known for his striking features and intellectual depth, Mpofu overcame the intense pressure of the international stage, citing a significant leap in his public speaking and stage presence.

UNARS

• ZIMBABWE
• SH IONA
• SAMINDSET
• MIS
• AGE
• HERTTAGE
• ZIMBA
• MR HERGE

ZIMBA sta corporated

ZIME N SA PRIS on An The story of Munashe Siyanata is one of geographic and cultural triumph. In May 2025, Siyanata made history as the first Zimbabwean model to physically travel to and represent the nation at the Mister Heritage grand finale in Manila, Philippines.

His journey to Manila was more than a flight; it was a diplomatic mission. Under the directorship of Shelton Chiyangwa, widely known as The People's General, Siyanata became a "Man of the Moment." He was even labeled the Black Horse, using the Philippine stage to showcase Zimbabwe's diverse customs and the Ubuntu philosophy. His participation solidified Zimbabwe's presence in the Asian pageantry circuit, widely considered the "heart" of global pageantry. The Black Horse made sure to leave a legacy on the global stage, and his winning spirit helped Munashe place 2nd runner-up at the Mister Heritage Pageant.

TOURISM AFRICA

NIMBABVE

Complementing this trinity is Takunda Ryan Chitope, a name that became synonymous with the "new guard" of Zimbabwean modeling in 2025. As the industry saw a revival of dormant titles and the birth of platforms like Misters of Zimbabwe, Chitope emerged as a leading figure in professionalising the craft.

His success lies in his versatility blending high-fashion commercial appeal with the advocacy required of a modern "King." Chitope's presence in the 2025 cycle has been credited with inspiring a surge of interest among young men in Harare and Bulawayo to view pageantry as a viable career path. Takunda made a huge impact when he brought home the title of Mister Tourism Africa 1st Runner-Up in Nigeria, where the grand finale was held.

In his Mister Tourism Africa question and answer segment Takunda mentioned that "Being African to me means "I possess the qualities of a King everywhere I go" and not only did he say it he wore it like his skin and became the 1st Runner Up of the international competition.

The success of these men isn't accidental. It is the result of a more organized local industry. 2025 saw the revival of the Misters of Zimbabwe brand and the crowning of specialists.

Moreover, these kings have shifted the narrative around masculinity. They aren't just "pretty faces" they are activists fighting drug abuse, advocates for mental health and entrepreneurs. They have proven that a crown is a heavy responsibility and in 2025, Zimbabwe's men were strong enough to wear it.

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HOW

MZOLISI MASTERED

THE MORDEN MAN'S WADROBE

Breakingdown Zibusiso Mzolisi's suit game with fashion takeaways from the Best Dressed Male Model 2025

Scrolling through Zibusiso Mzolisi's social media in 2025 feels less like casual browsing and more like flipping through a tightly edited lookbook. Every frame is deliberate. Every silhouette says something. This is not trend-chasing it's authorship. Here's how his visuals earn him the quiet but uncontested title of Best-Dressed Model of 2025.

The dominant language of Mzolisi's feed is tailoring clean, architectural and disciplined. Black charcoal suits recur, but never feel repetitive. Lapels are sharp, trousers fall clean and proportions are respected. This is classic menswear filtered through a modern African lens no gimmicks, no noise just authority. From a journalistic standpoint, this is what elevates his style he understands that luxury in 2025 is about control. The suit doesn't wear him commands it.

and he

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Low-key lighting, minimal backgrounds and restrained posing allow texture and structure to do the talking. The result is editorial-grade imagery that would sit comfortably in a global fashion quarterly. This approach signals maturity. Mzolisi isn't selling clothes he's selling mood, stillness and presence. Fashion editors look for this because it translates across markets and cultures.

Then comes the disruption sleeveless black look paired with a beret. This is where Mzolisi steps into fashion conversation territory. It's a nod to avant-garde masculinity strength without aggression, confidence without spectacle. For 2025, this matters. Menswear is shifting toward emotional expression. These aren't props they're context. The styling remains clean so the narrative doesn't slip into cliché.

uth On PHOTOGRAP

As a brand ambassador, his social media maintains cohesion. Lighting, posture, wardrobe and framing align into a recognisable visual signature. That consistency is what makes editors and luxury brands pay attention it signals reliability, professionalism and long-term vision.

What makes Mzolisi's 2025 fashion moments iconic isn't shock value it's discipline. He understands silhouette, negative space and the power of restraint. In a year where many models chased virality, Mzolisi curated timelessness. That's why, from a fashion journalist's eye, he stands out not just as stylish but as the best-dressed model of 2025. Quiet. Composed. Editorially fluent.

MER

EDITION

ROYCE GAVI: The Man Behind Zimbabwe's Pageant Triumphs

Eureka Afrika Magazine, 4th Edition

In the vibrant tapestry of Zimbabwe's cultural expression, where heritage meets high fashion and poise meets purpose, one name has emerged not just as a contender but as a catalyst of excellence Royce Gavi. At 24, this Bulawayo bred creative is rewriting the narrative of what it means to be a pageant coach, model mentor, designer and cultural ambassador not just domestically, but on international runways and in the hearts of communities nationwide.

Royce Gavi isn't your typical pageant figure. His journey began early, earning multiple titles on the male modelling circuit, representing Zimbabwe at Mister Tourism Africa Zim 2024 where he took home the Best National Costume award a stunning homage to Zimbabwe's wildlife and cultural elegance that turned heads in Lagos, Nigeria. But Gavi's influence didn't stop at personal accolades. With an eye for detail and an instinct for stage presence, he transitioned into the role of coach and creative director, helping beauty queens and ambassadors move with confidence, elegance, and purposes.

In 2025, as Zimbabwe prepared its brightest for the international spotlight, Gavi became a central figure behind the scenes. When Lyshanda Moyas was crowned Miss Universe Zimbabwe 2025, she didn't walk onto the global stage in Thailand unprepared. Months of rigorous training from runway technique to posture and presence were honed under Gavi's guidance. "Moyas openly credited him, saying Royce taught me how to command the stage with elegance and Mr Gombera helped me express myself with authenticity, clarity and confidence." His approach to coaching isn't just technical it's philosophical. Gavi teaches grace under pressure, cultural storytelling, and the psychology of presence. In his vision, every contestant is not merely walking the runway but carrying a narrative of Zimbabwe, its heritage and its future.

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ZIMBABWE

His influence has rippled across other national pageants too from Miss International Zimbabwe, Miss Cosmo Zimbabwe, to Universal Woman Zimbabwe in both 2024 and 2025 where he has served as a mentor and strategic coach, refining contestants walks, poise and interview presence. While public details of every contestant aren't always documented, his name keeps cropping up in production credits and training updates across platforms reinforcing his reputation as a go-to coach for Zimbabwe's pageant elite.

Beyond coaching, Gavi's creative imprint extends into fashion design. Under his fashion house, Scarlet Studios of Designs, he has crafted national costumes that fuse cultural motifs with runway finesse pieces that don't just dazzle judges but tell stories of Zimbabwean identity, resilience and pride. His costume designs won acclaim on the international stage, earning awards and contributing to Zimbabwe's presence in continental pageant showcases.

All roads in 2025 eventually led to one crowning moment on the November 8th, Royce Gavi was crowned Mr Heritage Zimbabwe 2025 an achievement that encapsulates his multifaceted influence. His win wasn't just another title. It was a cultural manifesto an affirmation that heritage, leadership, and advocacy can converge in a single ambassador. After accepting the crown, Gavi reflected on his journey with the humility of a public servant and the confidence of a cultural steward. This isn't mere rhetoric. Gavi has pledged to use his reign to champion education, cultural preservation and healthy lifestyle advocacy, focusing on initiatives that uplift communities and honor Zimbabwe's rich traditions.

What sets Royce Gavi apart in Zimbabwe's creative and pageant ecosystem isn't just a trophy or title, it's his holistic approach to mentorship and representation. He blends runway precision with emotional intelligence; cultural heritage with contemporary relevance; national pride with global staging. Whether it's sculpting the walk of a Miss Universe delegate or weaving a story into a national costume, Gavi remains anchored in a vision of Afro-centric excellence that is both aspirational and grounded.

• NETFLIX
• NETFLIX
• INFL
• NETI
• INFLUI
• Kudi Maradzika and the Global
• Breakthrough of Bad
• Influencer
• Eureka Afrika Magazine, 4th Edition

By Tafara Mpofu

Joburg's skyline gleams bright like a polished luxury handbag in Bad Influencer, but it's the fierce creative force behind the camera Zimbabwean-born filmmaker Kudakwashe "Kudi" Maradzika who's been turning heads on and off the global stage. With razor-sharp industry instincts and a storytelling voice that refuses to whisper, Maradzika has crafted one of 2025's most buzz-worthy series for Netflix, proving that African creatives don't just participate in global storytelling they lead it.

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In the world of film and TV, few are as compelling as the underdog who becomes the architect of their own dream and that's exactly what Maradzika represents. Born in Zimbabwe and schooled in performance, journalism and production at the University of Cape Town, she first made her mark as an actor before refining her chops behind the camera. Her journey from the stage to the writer's room and into executive suites is the kind of narrative Hollywood execs literally pay development fees for. In Bad Influencer, Maradzika is credited as creator, executive producer and co-head writer a rare triple threat in global TV that signals true showrunner energy. Her role was not just about keeping tabs on scripts she was the architect of the show's DNA, shaping everything from the series' core themes to the nuanced relationships that give it emotional depth.

This seven-episode Netflix Original dives deep into the collision of glam and grind in Johannesburg's digital marketplace of fame, hustle and counterfeit luxury goods. At its center BK, a street-smart single mother fighting to provide for her special-needs child who teams up with Pinky, an influencer chasing likes and status in a social media-obsessed world. Their unlikely alliance pulls them into Johannesburg's shadow economy, where crime and glamour blur into a single moral gray zone. What makes the show pop isn't just its propulsive plot or slick production it's the sense of authenticity woven into every frame, from the dialogue that feels lived- in to the way the camera lingers on the city as a character of its own. Maradzika's storytelling is cinematic and well thought she's not just crafting episodes she's building worlds that resonate on both local and global frequencies.

Here's where things get really exciting Bad Influencer didn't just land on Netflix it entered the Netflix Global Top 10. Charting at number three among English shows around the world, the series racked up millions of hours streamed and became a talking point from Cape Town to Copenhagen. For a South African-produced show led by a Zimbabwean creator, that's not just success it's seismic. This type of traction isn't just good press. It signals to studios, platforms and talent scouts that African creators can build shows with universal appeal, grounded in distinct cultural landscapes yet capable of moving billions of viewers. In industry terms it's called market validation and Maradzika earned it.

NETFLIX

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FLUE CER

The production pipeline for Bad Influencer reads like a masterclass in contemporary content development. Maradzika's concept was honed through Netflix and Realness Institute's Episodic Lab Africa, a highly competitive incubator that selects only a few projects from hundreds of submissions. Her ability to translate a fresh voice into a polished pitch then a fully realized show demonstrates executive strength rarely seen in emerging showrunners. Pair that with a powerhouse ensemble cast including Jo-Anne Reyneke, Cindy Mahlangu and even the Miss Universe alumni Zozibini Tunzi and you've got narrative velocity that snaps into focus like a camera's perfect shot. Critics and audiences alike are nodding at the show's realness, rhythm and relatable character.

But Maradzika's influence stretches beyond Bad Influencer's success metrics. What elevates her work is its cultural specificity mixed with universal themes of motherhood, hustle, image and survival. She's tapped into storytelling that doesn't cater to stereotypes but complicates them an editorial dream, really. This is the kind of layered narrative that fills pages with thought rather than just headlines. In an industry still dominated by Western narratives and gatekeepers, Maradzika's ascent sends a powerful message which indicates that African stories told by African creators are not just alternative they're essential. She's not adapting to the global market she's influencing it.

Right now, Bad Influencer is just the beginning. Season 2 is already in early development and Maradzika's company, Lincoln Green Media, continues to incubate bold new voices and IPs. Beyond that, she's poised to blur lines between genres and platforms think cross-medium storytelling that could include film, TV and digital universes.

For Eureka Afrika readers, creatives and culture curators, Kudi Maradzika isn't simply a name to watch she's one to study. Her trajectory is proof that storytelling ambition, when paired with production savvy and cultural truth, can rewrite not just narratives but industry expectations.

RISE ZIMBABWE

How A Zimbabwean Short Film Redefined the Game

Eureka Afrika Magazine, 4th Edition

By Charlene Makwarimba

Some films whisper and then there's Rise a short that arrived like a trumpet and refused to let the world forget it. Written and directed by Jessica J. Rowlands and produced by Joe Njagu, Rise has woven a local, true story into the global festival circuit, setting a new benchmark for Zimbabwean cinema visceral, uncompromising and proudly homegrown.

At its heart, Rise is simple and seismic. A young boy who scavenges on a municipal dump finds his chance at dignity and purpose through the discipline of boxing and the unlikely mentorship of a reclusive coach. The story is inspired by the real-life work of Tobias Mupfuti and Victoria Falls Boxing Academy a truthful spine that gives the film its moral muscle. The result is a short that doesn't just show resilience it embodies it.

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Since premiering on the international stage, Rise has accumulated wins and recognition that many feature films chase for years. It secured the Shine Global Children's Resilience Short Film Prize at the 2025 Indy Shorts International Film Festival an acknowledgement that honors films which spotlight children's perseverance.

That award was more than a trophy, it signaled global audiences were listening to Zimbabwean stories told with craft and care. Even more striking, Rise earned a place at the Tribeca Film Festival, a landmark moment that many. local filmmakers had dreamed about, but few had seen realized. Screening at Tribeca carried symbolic weight, a film rooted in Victoria Falls, made by a predominantly Zimbabwean cast and crew, standing confidently on one of the world's most visible festival stages. A groundswell of heavyweight endorsements.

Full Statement:

"I've seen this incredible short film from Zimbabwe, and it moved me to my core. RISE tells the story of a young boy fighting for strength, safety, and hope in a world that has forgotten him - and it does so with unforgettable performances and stunning humanity.

This film is a powerful reminder that even in the harshest circumstances, the human spirit has an incredible capacity for joy, wonder and love.

This was the first Zimbabwean film ever to screen at Tribeca earlier this year, and I'm honoured to help amplify it and the artists behind it. The film was shot entirely in Zimbabwe by a female writer- director with an all-African cast and production crew and is breaking records for Zimbabwean cinema.

Please take a moment to watch the trailer and share this film. Stories like this deserve to be seen."

-Viola Davis ri

When global artists amplify a local story, the echo gets louder. Rise picked up notable endorsements (including public praise shared by Viola Davis), bringing extra attention from international industry circles and audiences curious about African short cinema that punches above its runtime. Those endorsements helped the film's "For Your Consideration" momentum and opened doors for wider distribution and awards consideration.

Why this matters for Zimbabwean film more than festival placements? Rise proved a systemic point Zimbabwean crews can build festival-grade cinema rooted in local realities without diluting cultural texture. Critics and industry observers have started to call Rise a watershed film that signals Zimbabwe's creative communities are ready to compete on the global stage while keeping their stories intact. For young filmmakers in Harare, Bulawayo, Victoria Falls and beyond, Rise provides a usable blueprint lean on local truth, invest in craft and aim high.

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If the film is a rising tide for Zimbabwean cinema, Jessica Rowlands and Joe Njagu are its most visible captains. Njagu's producing credits and industry leadership have helped shepherd Rise from concept through festival strategy and awards campaigning. In short, his role amplified what was already a powerful story, translating local energy into international momentum and proving that smart producing can get Zimbabwean films the visibility they deserve. The industry owes producers like Njagu a shout they're often the quiet architects of change.

There's a larger conversation bubbling up around Rise that matters for Eureka Afrika readers. Festivals and awards are great, but sustainable industry growth depends on distribution pipelines, funding mechanisms and training that keep crew, cast and post-production talent working locally. Rise has sparked conversations among Zimbabwean producers and cultural institutions about how to turn festival success into long-term industry infrastructure from film labs to co-production deals. The film's success feels like the beginning of a conversation, not the end.

• Director & Screenwriter: Jessica J. Rowlands.

Producer: Joe Njagu

Cinematography: Jacques Naudrs

• Editors: Paul Watts and Roman Kuznets.

Composer & Music: Max Uldahl Principal Cast: Tongayi Chirisa (the coach), Sikhanyiso Ngwenya (Rise) and a strong ensemble of Zimbabwean actors.

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