read and create zines & magazines
Create Zine/Magazine
Create
C
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-->
Specialist music production school and the training ground for
the next generation of music producers and sound engineers
-->
www.abbeyroadinstitute.com
-->
M
I
A
M
I
-->
C
O
N
T
E
N
T
S
-->
-->
www.abbeyroadinstitute.com
-->
EDITION 1
-->
C
o
n
n
e
c
t
i
n
g
A
c
a
d
e
m
y
w
i
t
h
R
e
a
l
i
t
y
-->
P
a
g
e
1
2
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Our ethos and curriculum have been
founded on nearly 90 years of expertise and
innovation in production and recording
developed at Abbey Road Studios.
-->
O
v
e
r
v
i
e
w
:
F
a
s
t
t
r
a
c
k
y
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u
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.
-->
A
b
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-->
C
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F
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T
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-->
A
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E
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T
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!
-->
P
a
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0
9
-->
Abbey Road Institute Miami is a
specialist music production school
and the training ground for the next
generation of music producers and
sound engineers.
-->
-->
-->
-->
www.abbeyroadinstitute.com
-->
EDITION 1
-->
W
E
L
C
O
M
E
T
O
A
B
B
E
Y
R
O
A
D
I
N
S
T
I
T
U
T
E
M
I
A
M
I
-->
Abbey Road Institute Miami is a specialist music production school and the training ground for
the next generation of music producers and sound engineers.
Our ethos and curriculum have been founded on nearly 90 years of expertise and innovation in
production and recording developed at Abbey Road Studios. We work closely with engineers and
producers to create a broad, hands-on and cutting-edge curriculum delivered through our
professional one-year Diploma in Music Production and Sound Engineering. This prepares you to
launch a career in the music industry as unique as you are. What unites our students and team
is a love of music and a passion to create.
-->
A
p
p
l
i
c
a
t
i
o
n
s
o
p
e
n
f
o
r
s
e
p
t
e
m
b
e
r
2
0
2
2
-->
Fill out the form below and download our
prospectus, to receive more information
about the curriculum of our Diploma in
Music Production and Sound Engineering.
-->
P
a
g
e
1
5
-->
www.abbeyroadinstitute.com
-->
EDITION 1
-->
-->
03
-->
-->
overview:
Fast track
your career
-->
Designed
by
industry
for
industry,
our
Diploma
will
push
your
career
in
music
production
or
sound
engineering
to
the
next
level.
Our
curriculum
is
founded
upon
nearly
90
years
of
experience
at
Abbey
Road
Studios,
developing
innovative
recording
techniques
and
training
assistant
engineers
who
have
since
become
well
respected
sound
engineers
and
producers
in
their
own
right.
-->
During
this
intensive,
one
year
programme
you’ll
learn
from
the
extensive
knowledge
and
expertise
created
at
Abbey
Road
Studios.
You’ll
have
access
to
industry-standard
equipment
and
studios
and
be
taught
by
experts
including
guest
lectures
with
multi-award-winning
professionals.
Train
with
us
and
become
part
of
a
global
network
in
the
recording
industry.
The
diploma
will
develop
you
as
a
rounded
professional,
with
technical
skills,
knowledge
and
expertise.
You’ll
be
guided
with
a
creative
and
informed
approach
to
production
and
engineering
and
an
understanding
of
the
music
business
and
how
it
operates.
KEY
FACTS:
Duration:
12
months
–
48
weeks
of
tuition
Next
Start
Date:
September
19th
2022
Application
Deadline:
Subject
to
availability
Study
Mode:
Full-time
Qualifications:
Diploma
in
Music
Production
and
Sound
Engineering
Course
Leader:
Julio
Reyes
Copello
You
can
access
all
the
detailed
information
in
our
online
Program
Catalog.
-->
-->
04
-->
www.abbeyroadinstitute.com
-->
EDITION 1
-->
-->
04
-->
- Demonstrate a high degree of professionalism characterized by proactivity and self-motivation
- Utilise industry standard tools for creating, performing, recording, editing, mixing and mastering music.
- Develop and implement compositional and arrangement ideas for music productions
- Work collaboratively as part of a team, maximizing group-based projects and outcomes
- Time manage music production projects
- Solve problems through reflection and adaptation of knowledge
- Understand the fundamentals of the music business, including marketing issues and strategies
- Manage your professional career development.
-->
AS A GRADUATE FROM ABBEY ROAD INSTITUTE YOU WILL BE ABLE TO:
-->
ACCESS TO UNIQUE
STATE-OF-THE-ART STUDIO FACILITIES
-->
WHAT YOU’LL LEARN
-->
Forging
a
successful
career
in
music
production
or
sound
engineering
requires
a
variety
of
different
skills,
techniques
and
expertise.
Our
Diploma
prepares
you
for
this
by
focusing
on
three
key
industry-relevant
subject
areas:
–
Audio
engineering
and
acoustics
–
Music
production
and
theory
–
Management
and
music
business
The
Diploma
in
Music
Production
and
Sound
Engineering
is
based
on
both
instructor-led
teaching
and
practice-based
teaching.
The
duration
of
the
program
is
48
weeks,
divided
into
three
16-week
terms.
Each
term
is
comprised
of
lectures
and
workshops,
for
a
total
of
1170
contact
hours,
divided
between
the
3
terms
of
390
hours
each.
Throughout
the
three
terms
students
will
go
deeper
into
each
of
the
subject
areas
so
as
to
fundamentally
increase
their
knowledge
and
skillset.
Our
Abbey
Road
heritage
is
important
in
giving
historical
context.
Students
will
learn
about
the
evolution
of
the
Studios
and
how
innovation
at
Abbey
Road
helped
drive
the
music
industry
forward.
Alongside
the
history
and
theory,
the
program
puts
a
strong
emphasis
on
the
application
of
technical
skills,
so
students
spend
time
both
in
dedicated
lectures
and
independently
working
with
Pro
Tools
and
Logic
as
well
as
Ableton
Live.
-->
Our
students
participate
in
many
practical
opportunities
that
we
make
available
to
them.
These
include
a
wide
range
of
ensembles,
recording
sessions
and
performance/composition
workshops
at
our
dedicated
Art
House
Studios.
We
teach
on
industry
standard
equipment,
including
the
latest
generation
Apple
computers,
an
SSL
Origin
and
Neve
Genesys
console,
TubeTech,
API,
Neve
and
SSL
outboard,
Pro
Tools,
Logic
X
and
Ableton
Live,
as
well
as
a
wide
array
of
native
plug-ins
from
our
industry
partners.
-->
Lectures
run
from
Monday
to
Thursday.
The
lecture
duration
is
4
hours,
with
the
first
three
hours
led
by
a
lecturer
dedicated
to
new
content
teaching
and
an
additional
teacher-led
hour
focused
on
practical
student
activities.
This
is
aimed
at
ensuring
the
students
understand
the
contents
covered
in
the
first
block.
Tuesday
evenings
will
also
consist
of
a
3hr
ear
training
session.
Fridays
are
reserved
for
guest
lectures,
workshops,
songwriting
lab
and
production
lab.
The
duration
of
these
sessions
is
between
2
hours
and
8
hours,
depending
on
the
content.
-->
To be thrown in the middle of actual professional
recording sessions and learn by doing, is the most
effective, honest and responsible way of acquiring
the skills needed for a career in music. I aim to
guide, educate and inspire the future generations of
music professionals while staying fully engaged in
my work as a music producer for the most important
and upcoming artists of the industry.
-->
www.abbeyroadinstitute.com
-->
05
-->
EDITION 1
-->
SUBJECT
AREAS
-->
The
Diploma
in
Music
Production
and
Sound
Engineering
is
an
intensive
one
year
program
which
is
taught
across
48
weeks.
The
course
is
then
divided
into
three
terms,
with
each
term
building
on
the
knowledge
and
skills
you
learnt
in
the
previous
term.
Using
our
progressive
continuous
learning
method
each
module
will
cover
historical
and
theoretical
content
alongside
practical
and
technical
skills
so
you
develop
a
rounded
knowledge
and
skill
set
within
each
area.
-->
Within
the
diploma
we
cover
all
of
the
following
subject
areas:
Acoustics,
Computer,
Copyright
and
Legal
issues,
Digital
Audio
Technology,
Electronics
and
Analogue
Equipment,
General
Business
(Publishing
&
Marketing),
Management
Skills,
Mastering,
Microphones,
Mixing
and
Critical
Listening,
Music
Theory
and
Production,
Production,
Recording,
Sound
Theory,
Studio
Equipment
and
Signal
Processing,
Studio
Etiquette
and
Musicianship.
Below
you
can
browse
through
the
three
terms
and
see
the
breakdown
of
the
courses
for
each
term.
-->
COURSE
CURRICULUM
-->
“The curriculum is
fantastic, extremely
comprehensive,
contemporary and
relevant to today’s
industry.”
Andrea Mastroiacovo,
London Graduate 2018
-->
The breadth of the course means that alongside
learning what equipment, techniques and
microphones to use you also learn why you use
them. This will help you develop your own
expertise and understanding of how to create
different sounds and effects.
-->
06
-->
www.abbeyroadinstitute.com
-->
-->
06
-->
EDITION 1
-->
Forge your career
path at Abbey
Road Institute
-->
The
skills,
knowledge
and
creativity
you’ll
develop
at
Abbey
Road
Institute
Miami
will
prepare
you
for
the
next
step
in
your
career.
This
may
be
starting
out
in
runner
and
assistant
roles
or
moving
into
a
more
senior
role
if
you
already
have
some
experience
in
the
industry.
Our
graduates
will
progress
onto
a
range
of
different
roles.
Some
of
the
jobs
they
will
enter
into
include:
Producer,
Recording
Engineer,
Mixing
Engineer,
Runner,
FOH
Engineer,
Artist,
Mastering
Engineer,
A&R,
Label
Assistant
and
Songwriter
to
name
but
a
few.
They’ll
be
able
to
work
across
different
industries
and
types
of
businesses,
from
those
employed
by
recording
studios
and
record
labels
to
work
in
live
events,
post-production
for
film
&
tv,
digital
archiving,
developing
new
technology
within
the
music
industry,
and
juggling
portfolio
careers
with
their
own
clients.
You
can
browse
through
our
alumni
profiles
from
our
international
schools
on
the
dedicated
alumni
section
of
our
website.
-->
A CURRICULUM DESIGNED
AND TAUGHT BY RESPECTED
INDUSTRY PROFESSIONALS
-->
www.abbeyroadinstitute.com
-->
EDITION 1
-->
07
-->
-->
We’re
proud
of
our
dedicated,
professional
and
highly
experienced
team
of
tutors,
led
by
multi-Grammy
Award
winning
producer
Julio
Reyes
Copello.
We
hand
pick
experts
and
professionals
from
the
industry.
They
bring
to
the
course
a
wide
range
of
different
skills
and
expertise,
supporting
the
breadth
of
learning
our
students
graduate
with.
-->
AN APPRENTICESHIP
APPROACH TO
TRAINING: PRACTICAL
AND HANDS-ON
-->
Tutors
-->
08
-->
-->
EDITION 1
-->
www.abbeyroadinstitute.com
-->
-->
08
-->
-->
More than 150
years of
combined
experience
-->
-->
TUTORS:
-->
Alongside our core team of regular lecturers, we invite in specialists who have worked with
musicians and artists of all genres from the likes of the Beatles, Pink Floyd, Marc Anthony,
Jennifer Lopez, Will Smith, Alejandro Sanz, Rihanna, Little Simz, Will.I.Am, Sia and Alicia Keys to
Lee ‘Scratch’ Perry, Bonobo, De La Soul to London Symphony Orchestra, Montreal Symphony
Orchestra, and many, many more.
-->
Our
team
of
industry
experts
and
visiting
lecturers
include
multiple
Grammy,
Mercury
Music
Prize
and
Oscar
winners.
Nine
GRAMMY
and
Latin
GRAMMY
awards,
more
than
25
nominations,
15
Billboard
chart
topping
songs,
and
more
than
10
ASCAP
awards
are
more
than
enough
to
show
the
tremendous
impact
Julio
Reyes
Copello
has
had
on
the
Latin
music
industry
through
almost
two
decades.
The
ability
of
producer,
pianist,
arranger,
and
composer
Julio
Reyes
Copello
to
transform
the
complex
spectrum
of
human
emotions
into
melodies
and
songs
has
allowed
him
to
work
effectively
through
all
musical
genres
and
languages
with
remarkable
mastery,
intensity,
and
grace.
It’s
been
20
years
since
the
Colombian
producer
decided
to
move
to
Miami,
and
he
has
had
the
opportunity
to
write,
record,
-->
JULIO REYES COPELLO
-->
and
produce
songs
and
albums
for
several
of
the
most
important
artists
in
Europe
(Alejandro
Sanz,
Malú,
Pablo
Alborán
–
Spain,
Florent
Pagny
–
France,
Reamonn
–
Germany,
Il
Divo,
Natasha
Bedingfield
–
UK,
Laura
Pausini
–
Italy),
United
States
(Jennifer
Lopez,
Marc
Anthony,
Taylor
Dayne),
Canada
(Nelly
Furtado),
and
Latin
America
(Ricky
Martin,
Kany
Garcia,
Chayanne
–
Puerto
Rico,
Diego
Torres
–
Argentina,
Alexandre
Pires
–
Brazil,
Alejandro
Fernandez,
Thalia,
Paulina
Rubio
–
Mexico,
Fonseca,
Andrés
Cepeda
–
Colombia,
Mariana
Vega
–
Venezuela).
His
projects
also
include
composing,
arranging
and
recording
the
soundtrack
for
the
virtual
experience
MARS
2030
(NASA,
Fusion
and
N-Vidia),
conducting
and
recording
the
London
Symphony
Orchestra
twice,
writing
the
soundtrack
for
American
TV
series
Hawthorne
(produced
by
Jada
Pinkett
Smith
and
Will
Smith,
Sony
Pictures),
producing
and
arranging
the
music
for
the
visit
of
Pope
Francis
to
Colombia
in
2017,
as
well
as
writing
his
own
pieces
for
piano.
Julio
Reyes
Copello
found
his
passion
for
music
at
an
early
age.
He
studied
at
the
Javeriana
University
in
Bogota,
-->
where
he
was
also
a
professor
and
later
was
awarded
a
full
scholarship
from
University
of
Miami
to
obtain
a
Masters
degree
in
Media
Writing
&
Production,
where
he
held
the
position
of
Teaching
Assistant
graduating
with
honors.
In
2000,producer
Jorge
Calandrelli
chose
him
to
work
on
the
orchestration
of
the
songs
included
in
the
Christmas
in
Vienna
album,
“Our
Favorite
Things”,
with
Placido
Domingo,
Tony
Bennett,
Vanessa
Williams,
Charlotte
Church
and
the
Vienna
Philharmonic
Orchestra,
and
ever
since
Reyes
Copello
has
only
garnered
ascending
success
and
respect,
which
have
brought
him
to
become
one
of
the
busiest
producers
of
the
market
today.
In
2013,
Julio
Reyes
Copello
established
his
own
recording
studio
–
Miami
Art
House
–
which
has
become
not
only
his
working
place
but
also
a
breeding
ground
for
some
of
the
most
important
artists
in
the
region,
as
well
as
an
open
creative
society
in
which
several
artists,
instrumentalists,
and
songwriters
get
together
to
write,
arrange,
and
produce
new
music
without
any
distinction
of
sex,
age
or
ethnicity.
-->
09
-->
-->
www.abbeyroadinstitute.com
-->
EDITION 1
-->
ROBIN
REUMERS
-->
Robin Reumers is a mixing and mastering engineer, with an
extensive background in education.
-->
Prior
to
joining
Abbey
Road
Institute,
Robin
was
working
as
CTO
at
Galaxy
Studios
in
Belgium.
For
7
years
he
was
responsible
for
the
expansion
of
the
studios
and
the
technical
maintenance
in
an
increasingly
digital
world.
-->
After
receiving
his
diploma
in
audio
engineering,
he
immediately
left
for
an
traineeship
in
the
U.S.,
and
soon
became
the
right
hand
of
respected
mastering
engineer
Bob
Katz.
He
ended
up
working
there
for
3
years
after
which
he
moved
back
to
Europe.
-->
He
managed
to
keep
Galaxy
Studios
cutting
edge,
in
part
thanks
to
the
invention
of
the
new
Auro-3D
format.
Simultaneously
Robin
has
been
working
in
audio
education
for
9
years.
Nowadays
he
is
also
director
and
product
developer
at
his
own
plug-in
company
Leapwing
Audio.
-->
In
2019,
he
was
nominated
as
mixing
&
mastering
engineer
for
a
Latin
Grammy
in
4
categories
with
2
albums
(including
2
Album
of
the
year
nominations):
Paula
Arenas’
Visceral
and
Alejandro
Sanz’
#ELDisco.
Alejandro’s
album
even
went
on
to
win
a
2020
Grammy
Award
for
Best
Latin
Pop
album!
-->
Welcome to our Abbey
Road Institute Miami
academic team.
-->
-->
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EDITION 1
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NATALIA
RAMÍREZ
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Latin
GRAMMY-winning
and
GRAMMY-Nominated
audio
engineer,
arts
manager,
and
musician
Natalia
Ramírez
graduated
with
honors
in
Audio
Engineering
at
Pontifica
Universidad
Javeriana,
Colombia.
She
then
obtained
her
Master
in
Arts
Presenting
and
Live
Entertainment
Management
at
the
University
of
Miami
where
she
was
chosen
for
the
“Frost
School
of
Music
Outstanding
Graduate
Student
Award”
in
2017.
In
2018,
she
was
nominated
for
3
Latin
GRAMMYs
with
Pablo
Alborán’s
album
Prometo,
and
in
2019
for
4
other
Latin
GRAMMYs,
winning
in
the
category
of
“Record
of
the
Year”
with
“Mi
Persona
Favorita”
by
Alejandro
Sanz
featuring
Camila
Cabello.
Natalia
Ramírez’s
unwavering
focus
and
capability
to
consistently
achieve
the
highest
standard
in
the
recording
industry
has
illustrated
her
career
with
the
deserving
reputation
she
carries.
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I
want
to
become
an
expert
in
treating
vocals
manually.
Nowadays,
everything
is
digital,
and
there
are
so
many
different
plug-in
options
for
tuning
and
aligning
vocals,
but
I’ve
noticed
most
of
the
times
they
are
set
to
perform
as
an
automatic
response
for
certain
key/rhythm.
Most
people
don’t
realize
this
damages
the
waveform,
making
the
tuning
sound
very
evident
and
bumpy
and
changing
the
natural
frequencies
that
were
captured.
It
can
be
aesthetic
sometimes,
but
that
doesn’t
work
in
every
genre.
I
feel
getting
hands
on
every
single
word,
and
vocal
track
individually
makes
a
big
difference
on
the
final
result.
When
you
hear
an
artist
sing,
you
remember
why
they
struck
a
chord
with
so
many
listeners.
If
you
start
mangling
with
their
voice
carelessly
and
don’t
take
care
of
their
identity,
it
undoes
all
the
magic
that
they
worked
so
hard
to
manifest.
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"Feels great to be
a sound girl"
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From Natalia Ramírez's instagram @natituner
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EDITION 1
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MARIA ELISA
AYERBE
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Maria
Elisa
Ayerbe
is
a
Latin
Grammy
winning
engineer
and
Latin
Grammy
and
GRAMMY
multiple
nominated
producer
and
composer
living
in
Miami,
with
more
than
15
years
of
experience
in
recording,
mixing,
music
production,
and
audio
post
production.
In
2016
Maria
Elisa
created
the
independent
label
South
Mountain
Music,
as
a
platform
to
develop
and
produce
fresh
music
from
upcoming
and
talented
artists
from
Latin
America.
She
is
currently
serving
as
Board
Governor
and
Chair
for
the
Producers
and
Engineering
Wing
of
the
Recording
Academy,
Florida
Chapter.
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Since
2007,
Maria
Elisa
has
worked
as
a
university
professor
teaching
several
courses
related
to
audio
and
music
in
Colombia,
Tennessee,
and
Florida.
She
has
moderated
panels
and
discussions
for
Grammy
U,
Music
Expo,
IMSTA
Fest,
and
The
Recording
Academy,
among
many
others
in
past
years.
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EDITION 1
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NICOLÁS
RAMÍREZ
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Latin
GRAMMY
Winning
and
GRAMMY-nominated
mixing
and
recording
engineer,
Musician
and
Sound
Supervisor,
Nicolás
Ramírez
graduated
in
Audio
Engineering
at
Pontifica
Universidad
Javeriana,
Colombia.
He
then
obtained
his
Master
in
Fine
Arts
in
Sound
Design
from
Savannah
College
of
Art
and
Design
in
Georgia,
United
States.
Nicolas
is
currently
working
as
head
Mixing
and
Recording
Engineer
at
Art
House,
GRAMMY-award
winner
Julio
Reyes
Copello’s
studio,
and
as
Live
Sound
Engineer
for
Camilo.
He
has
worked
with
Jennifer
Lopez,
Shakira,
Will
Smith,
Jaden
Smith,
Marc
Anthony,
Alejandro
Sanz,
Residente,
Bad
Bunny,
Paula
Arenas
and
Kany
García,
Ricardo
Arjona,
Samuel
Torres,
among
others.
He
has
worked
primarily
on
films,
documentaries,
TV
series
and
animated
series,
both
as
a
composer
and
sound
designer.
He
believes
in
music
and
sound
effects
as
one
entity
and
is
always
looking
for
that
special
detail
that
creates
a
unique
identity.
Nicolas
is
a
fan
of
cultures
around
the
world
and
is
always
amazed
by
how
the
cultural
background
is
represented
in
the
music
of
each
place.
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